'Je suis à l'écoute du vent, silencieux et pensifs.' Scartazzini a sélectionné des textes inspirés par la nature contemplative, comme cette miniature poétique et les transforme en subtiles, duos délicats.Le contre-ténor (qui peut aussi être chanté par une voix féminine) juxtapose sa part vocale et la partie de violoncelle éthéré sondage avec des gestes légers sur deux crotales. Dans le troisième, …

L'oeuvre musicale qui a pour support une Partition Séparée a pour titre Burgon Dira Vi Amoris Terror Solo Counter-Tenor. C'est une partition musicale qui est destinée aux joueurs de Chant/Vocal/Choeur. Le détail de l'instrumentation Voix vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique…

Par PART ARVO. It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, counter tenor, tenor and bass) for the Evangelist, together with a small chorus. Understatement is all: the instrumental accompaniment is confined to a quartet of woodwind and strings that…

Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1694, and is set for Soprano, 2 Counter-Tenor (Alto) and Bass soloists, with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also …

Par SCHUTZ H.. Published in 1648, Heinrich Schutz's ; Geistliche Chor-Music is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig's revised new text is available (BA 5901/BA 5902). ; Also hat Gott die Welt geliebt & one of the most well-known motets (SWV380) from Heinrich Schutz‘ ; Geistliche Chor-Music is now appearing in a revised separate ed…

Eb Horn Solo. Par SPARKE PHILIP. Aria was commissioned by and written for the remarkable tenor horn player, Sheona White. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves as an introduction to another melodic idea, marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat …

Guitariste de jazz, Misja Fitzgerald Michel est avant tout un musicien en liberté. Sa culture musicale déborde le champ du jazz, elle s'étend aussi bien à Bach et sa chaconne pour violon seul qu'à Jimi Hendrix. Avec Drew Gress (Basse), Jochen Rueckert (Batterie), et en invité sur deux titres, Ravi Coltrane (Saxophone ténor).

As a Jazz guitarist, Misja Fitzgerald Michel is above all a musici…

Description Purcell Society Edition No.12. The Fairy Queen In Full Score. The drama adapted from Shakespeare's A Midsummer Night's Dream . The work may be perfomed with a minimum of five soloists: Soprano I, Soprano II, Alto or countertenor, or Tenor, Tenor, Bass. The orchestral scoring consists of two recorders, two oboes, two trumpets, timpani, strings and continuo. Orchestral parts are…

Phaedra by German composer Hans Werner Henze is a 'concert opera' in two acts whose first performance was given at the Berlin State Opera in 2007. Phaedra was Henze's penultimate opera, and this item presents the vocal score, with the entire work lasting around 75 minutes. The parts are for Mezzo-Soprano, Soprano, Tenor, Countertenor, Bass Baritone, as well as a mime.Featuring a unique libretto by…

Refugee's Aria from Flight. Par DOVE JONATHAN. Taken from Flight – Jonathan Dove and April de Angelis’s superb original modern-day operatic comedy – Dawn, Still Darkness is an aria for countertenor telling of a refugee's longing to be reunited with his brother. Also known as the Refugee's Aria, Dawn, Still Darkness is now available separately for countertenor and piano for the first time. The oper…

Book 5 of the Sing Out! series features wonderful new choral arrangements of five top pop tunes, all arranged by renowned Vocal Coach and Choral Director extraordinaire Mark De-Lisser. Each song has been beautifully arranged for SAT chorus, the unison harmonies totally reinvigorating these favourite pop songs.From the classic rock anthem of the 1980s in Toto's Africa, to the modern pop heartbreake…

Par EVERS HARM. A visit to the United Stetes inspired Harm Evers to write this march. It has thus become an 'American style' march-a happy 'Swing March. ' The Pithy rhythnical melody and the simple harmony come together in a merry whole. The melodic counterparts in the tenor register, the dynamic contrasts, and the varied instrumentation keep the march exciting from the beginning to the end, both …

Par SCULTHORPE PETER. 'Tailitnama' is an Aboriginal totemic centre in Central Australia. The text for this work consists of four verses, in the Aranda language, from a rock wallaby song associated with the area. The verses concern the glowing of the mountains, the coming of dawn and the singing of the Ilbirbia bluebirds as they soar to the sky. Roger Covell describes the piece as borrowing 'from a…

12 Poems by Judith G. Wolf for Countertenor, Cello, and Orchestra. Par FUCHS KENNETH. This piece, along with three others, earned the composer a Grammy for the 2018 Best Classical Compendium. Composer's program note excerpt: Judith G. Wolf's expressive poems take us on a memorable journey through everyday life, the support of family and friends, the joy of love, and the pain of grief and loss. I w…