Par BANYARD EDMUND. / Répertoire / Hymns et Relgious Dramatic

Par BANYARD EDMUND. / Feuillet / Hymns et Relgious Dramatic

Handel's spectacular Oratorio was composed in 1744 from a libretto by Charles Jennens that describes the fall of Babylon. Although less successful in it's day than the popular Italian opera, this work is full of invention and dramatic skill with the Jewish, Babylonian Persian and Medes masses having their own distinctive musics that were juxtaposed to create a tense dramatic conflict. Composed in …

Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “…

Handel's dramatic cantata Apollo And Daphne belongs to the composer's early years in Italy. It seems likely to have been written in Rome, where Handel lived intermittently between 1707 and 1710. Opera in Rome had been placed under a papal ban, but musical society in the performance of dramatic cantatas, which possessed most of the features of opera without requiring elaborate staging. Handel's pla…

Including the Transcendental Etudes, Ed. Busoni. Par LISZT FRANZ. Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the Romantic reportoire. The first volume, Series…

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the hear…

Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which a…

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act…

Par WILLIAMS CHARLES. This haunting piano piece, from the 1947 movie, 'While I Live,' is the 'Urtext Edition' by composer, Charles Williams, and is similar to other piano solos of this era which display a grand, 'concerto' style. The main theme features a rolling arpeggiated left hand accompaniment under the lyrical melodic line of the right hand, ranging from whisper soft to dramatic, crashing fo…

Par STANFORD CHARLES VILLIERS. In recent years Stanford's music has undergone a major reassessment and revival as a new generation of musicians has discovered its format strengths and attractive classical qualitites. These are precisely the virtues of the Fantasia and Toccata, a short yet dramatic pair of movements that begins with quiet melodic paragraphs and swiftly builds to a powerful conclusi…

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act…