The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of violin mus…

Four Romantic Madrigals is a new edition of selected madrigals (for unaccompanied SATB choir) composed by John Stainer (1840-1901). Jeremy Dibble of Durham University brings Stainer's expressive and enticing part-songs to a wider audience by presenting them in modern notation. This edition coincides with the release of the CD, English Romantic Madrigals (Hyperion, CDA68140), an exciting new record…

Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic repre…

Ed. Critica A Cura Di Matteo Giuggioli. Par RICCI FRANCESCO PASQUALE. Francesco Pasquale Ricci straddled two worlds: Italy, his homeland, where he received his education and where he had his first professional experiences, and Europe, which would be the stage of his bold artistic affirmation and the consolidation of a vast and complex network of personal relationships. Ricci’s European excursion, …

For more than 200 years Mozart?s piano sonatas have been part of every pianist?s repertoire. Research done over the last few decades has made it possible, however, to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth Century give more reliable detail than Mozart?s own written scores; many of…

Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLESI GIOVANNI BATTISTA. Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples, …

Par TANGUAY JAMES. What's more fun than playing the tin whistle? How about playing tin whistle with a friend? Here are 38 two-part tunes arranged and composed especially for tin whistle players. Presents Celtic jigs, hornpipes, airs, American and British folk songs, marches, and country dances along with favorite hymns and campfire songs. For those who really want to try something different on whi…

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time …

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemi…

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time …