We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choi…

Arranged for TTBB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radi…

Singin' In The Rain was already a classic before it featured in the famous 1952 Gene Kelly film musical - Arthur Freed and Nacio Herb Brown wrote it in the 1920s when many artists recorded it, but more notably Cliff Edwards enjoyed success from his recording in 1929. Now forever associated with Kelly's puddle-splashing routine and more recently reprised in stage adaptations, Singin' In The Rain re…

Over the Rainbow is a standard that has become forever associated with its most famous interpreter, Judy Garland. Her troubled adult years only added poignancy to her guileless interpretation of the song, preserved on celluloid in The Wizard of Oz when she was seventeen. The song would also do something similar for Eva Cassidy whose 1992 version brought her posthumous fame almost a decade later. A…

Blue Moon , written by Richard Rodgers and Lorenz Hart in 1934, has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s, Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961, but 'An American Werewolf in London' was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by…

Someone Like You is the bitter-sweet smash-hit from Adele - a tale of overcoming lost love with your dignity and self-respect intact. It is a song rich with potential for male voice choirs seeking a powerful and engrossing number to add to their Choral Pop repertoire. Arranged by Chris Hussey, this version for TTBB choirs with piano accompaniment is a grand and defiant piece, that adds a sense of …

Lieder und Chansons In Bearbeitungen Für Männerchor und Klavier. Par KREISLER GEORG. Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment. The topics range from the poisoning of…

Par BRAHMS JOHANNES. Even Beauty must die. For mixed choir and orchestra./ Répertoire / Choeur Mixte et Orchestre

This distinguished setting of the McCrae text was originally published for mixed choirs soon after being named the first winner of the ACDA Brock Memorial composition contest. Aitken's new SSAA and TTBB voicings are just as inspiring as the original. / Choeur TTTBBB

Introduce madrigal singing with this wonderful edition of the Thomas Morley classic. This new men's choir arrangement sounds full and effectively captures the character and spirit of early music. Suitable for large groups or small ensembles, this excellent teaching piece will be a staple of your choral library. / Choeur TTBB

Par ULLMANN VIKTOR. Durée: 5', Langue: Yiddish, Format: Parisien portrait/ Répertoire / Choeur d'Hommes (TTB/TTBB) a Cappella

Tonalité : Es-Dur - D 950. Par SCHUBERT FRANZ. Gattungen: Messen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATTB, Choeur SSATTBB, 2 Hautbois, 2 Clar

Tonalité : Es-Dur - D 950. Par SCHUBERT FRANZ. Gattungen: Messen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATTB, Choeur SSATTBB, 2 Hautbois, 2 Clar

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …