Le but de ce texte est de fournir au timbalier de l'élève intermédiaire avec une collection d'études musicales basé sur la littérature de plus en plus pour Timpani.Cette étude a été écrit pour être utilisé à la fois l'école secondaire et du collégial. Il est divisé en trois sections: pages 3-17, exercices pour deux tambours, pages 18-32, exercices pour trois tambours, et les pages 33-47, exercices…

Expertly written by percussionist Mitchell Peters this Fundamental Method For Timpani teaches the basics of timpani playing in a practical and musical way with numerous sticking tuning and ear-training exercises plus over 60 musical etudes in a variety of styles. Covers general information Basic Technique Etudes for two and Etudes for three and four Timpani.

Mahler Symphonies 1-3-Herbert has provided a comprehensive performance analysis for the timpani parts of Mahler's three symphonies. Includes complete parts for practice and performance.

Six exciting works by Nexus percussionist Bill Cahn for unaccompanied timpani for the advanced performer. These pieces include a variety of styles influenced by music from Western Classical and Romantic periods North Indian tabla drumming and West African rhythms. Each piece may be played alone or in any combination.

Three Dances for Solo Timpani was written in 1998 and dedicated to percussionist Neil Grover. The dances can be performed as individual solo works or together as a suite. Melodic intervals and timbre contrasts provide color for each dance. Subtle ambiguity in rhythm, pulse, and pacing create a challenge for the performer and listener. The composer was influenced by several different styles and per…

Chamber Concerto No.1 Op.17 (Kammerkoncert Nr.1) for Piano Strings and Timpani was composed by Vagn Holmboe in 1939. Dedicated to his wife Meta. Parts available on hire: hire@ewh.dk

Messiah (Oratorio 1741) - Timpani Part

Overture / Ouverture - to Beethoven’s 6th Symphony by Thomas Agerfeldt Olesen (2012). Scored for 2 Horns 2 Trumpets 2 Trombones and Timpani. Commissioned by The Danish National Radio Orchestra. Parts available: WH31619A

Philip Glass was approached by timpanist Jonathan Haas to write a timpani concerto for himself nearly ten years before Glass was finally able to get down to it. The timpani concerto ‘grew up’ into a double concerto for twotimpanists and nine timpani in total in three movements with a pair of cadenzas which are usually added onto the third movement. As is often the case with Glass’s music …

For 4 Timpani-This electrifying work for solo timpani is a perfect opener for concert clinic or recital. Turbo - as in turbo-charged - is a fast-paced exciting showpiece that projects the power of the timpani directly to an audience. Sure to become a standard work in solo timpani repertoire this is a work that timpanists will want to perform again and again.

The 4 symphonies of Schumann-Former timpanist of the Philadelphia Orchestra and Indiana University Professor of Music (retired) Gerald Carlyss has provided a comprehensive performance analysis for the timpani parts of the four symphonies of Robert Schumann. His easy-to-understand explanations are based on countless performances under many of the world's finest conductors. Includes complete parts …

A masterpiece for the advanced student or professional timpanist. Cirone's knowledge of timpani combined with his compositional expertise make this a must play work for the serious-performer's repertoire. Dedicated to thelegendary Saul Goodman the Sonata captures the spirit of this master teacher and performer.

This collection of solo works for timpani was written to provide interesting new literature for all levels of instruction and is also suitable for contest and tryout use at all levels.

MarschToccatinaScherzoAllegrettoImpressionRondoAllegro vivaceRockin' TimpaniRecitativ / Percussion / Simrock

Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly difficult to write a solo or concertante work for an instrument that a person is very familiar with. Whenever I encounter this situation, I always feel a certain reserve or prudence, or even apprehension about leaning toward facility, in terms of gestures. Lack of objectivity can result in the imagination being more instrume…