Par HALSEY S. / SUMMERLEY J.. Ce volume présente une richesse du répertoire inestimable, original pour les chorales de voix supérieure. Bon nombre des pièces recueillies dans le présent volume sont publiées ici pour la première fois ou ne jouissent pas de la même exposition comme une grande partie du répertoire des voix mixtes. Le volume s'appuie sur le succès de 'Chorale Programme Series' la musi…
Written in the late Renaissance period by Tomas Luis de Victoria this beautiful piece captures the wonder and mystique of Christ's birth. Russell Robinson has arranged “O Magnum Mysterium ” making it more accessibleto both school and church choirs by setting it in a slightly higher key than the original and with notation that is more easily understood. The music of the Renaissance h…
Missa O Quam Gloriosum est Regnum edited and arranged for modern use by Henry Washington. SATB. Tomas Luis de Victoria left eighteen Mass compositions. His Missa O Quam Gloriosum Est Regnum thebest-known was included in the First Book Of Masses published in Rome in 1583 with a dedication to King Philip II of Spain.
Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victoria artistically captured for the concert band. The arranger masterfully articulates de Victoria's subtle and expressive polyphony and clearlybalances the intricate counterpoint through skillful scoring techniques. A well-crafted performance of this piece will be a highlight of any concert program. Dur: 2:35
Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victoria artistically captured for the concert band. The arranger masterfully articulates de Victoria's subtle and expressive polyphony and clearlybalances the intricate counterpoint through skillful scoring techniques. A well-crafted performance of this piece will be a highlight of any concert program. Dur: 2:35
This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for SATB chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting …
This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for large mixed chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass s…
Together We Sing Series-These new SAB and SSA arrangements make the beautiful Tomás Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompaniment offering analternative to a cappella singing for developing choirs. A timeless classic in choral literature. Available: SAB opt. a cappella; SSA opt. a cappella; Piano…
These new SAB and SSA arrangements make the beautiful Tomás Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompaniment offering analternative to a cappella singing for developing choirs. A timeless classic in choral literature. Available: SAB opt. a cappella; SSA opt. a cappella; PianoTrax CD (35027473). Dura…
Tomas Luis de Victoria's O Magnum Mysterium is a beautiful piece for four-part (SATB) choir a cappella and has been edited by Alice Parker and Robert Shaw. A piano accompaniment part has been scored for rehearsal purposes.
Tomas Luis De Victoria's Jesu Dulcis Memoria is a motet for SATB Choir as edited by Frank Damrosch and revised by Nicola A. Montani. An Organ accompaniment is scored for rehearsal use.
Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 3 of these 52 motets for mixed voice choirs.
Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomÿs Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.
Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 2 of these 52 motets for voice.
Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 4 of these 52 motets for voice.
Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 1 of these 52 motets for voice.
Missa Gaudeamus is a parody on the motet Jubilate Deo by Cristobal de Morales which dates from 1538 and celebrates the peace treaty signed between Francis I and Charles V.This edition for SSAATB voices is edited by Ivan moody 1992 and part of a series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissan…
Explore the expressive depth of Renaissance polyphony in this fine new edition from respected choral conductor Robert Sund arranged especially for the 2005 TMEA Men's All-State Chorus.
From our Choral Masterworks Series this polyphonic setting derives from his Missa Dominicalis. Both the Kyrie and the Christe Eleison are preceded by plainsong to which each section relates.Medium difficulty
