Ed. Maitland-Squire, Rev. Dover Edition. Famous early 17th century collection of keyboard music. 300 works by Morley, Byrd, Bull, Gibbons, etc. Modern notation. 469 pages. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, alle…

Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la formation instrumentale: 2 Querflöten, 2 Oboen, 2 Trompeten, Schlagzeug, Streicher - Durée: 15' -/ Répertoire / Orchestre de Chambre

révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix namque 2. Thomas Tallis. (1564)
CXI. [Exercise]. Anon
CXII. Daphne. Giles Farnaby
CXIII. Pawles Wharfe. Giles Farnaby
CXIV. Quodlings Delight. Giles Farnaby
CXV. Praeludium [X]. John Bull
CXVI. Praeludium. Dor. [XIII*]. John Bull
CXVII. Praeludium [VII]. Anon
CXVIII. Ut, re, mi, f…

Fantasias and Selected Works. Par BYRD WILLIAM. William Byrd is one of the great English composers of the late 16th and early 17th centuries. Today this creative Catholic at the Anglican court of Elisabeth I is known primarily for his masses, motets and madrigals. However, in addition to vocal music he also composed an impressive number of keyboard pieces that brook comparison in quality with thos…

Par SWERTS PIET. Diese Overtüre für Blasorchester wurde im Januar 2002, zum 150. Jahrestag der Pferdemesse von Vilvoorde, komponiert. Willam Tyndale war ein englischer Theologe und Bibelübersetzer, den man als Ketzer im 16. Jahrhundert in Filfurdo lebendig begrub. Während einer Passage in diesem Stück (Takte 78-94) werden Fragmente einer Motette von William Byrd, eines Zeitgenossen von Tyndale, zi…

Ed. Maitland-Squire, Rev. Dover Edition. The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music. ' - Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation. Reprin…

Justorum Animae is an anthem for the offertory on the Feast of All Souls scored for five voices. Written in 1607 by William Byrd it has been edited by Barclay Squire and is presented here with a Keyboard reduction for rehearsal purposes. William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which a…

POD-Why Do I Use My Paper Ink And Pen? is a work by William Byrd for Unison Voices and Organ Accompaniment that sets text attributed to Henry Walpole.

A fine selection of the most famous early Keyboard masterpieces for solo Piano, including works from greats such as J.S. Bach, G.F. Handel, Purcell, William Byrd, and Domenico Scarlatti. <br>An essential addition to your Piano library. Includes Variations on an Aria by Lully, Sarabande in D minor (from Harpsichord Suite), and Tambourin (from Pieces for Harpsichord in Three books). / Classiqu…

William Byrd's Sing Joyfully for SSAATB and optional Organ.

The Earl Of Salisbury Carol adapted from 'The Earl of Salisbury's Pavane' by William Byrd for unaccompanied SATB choir. Also available in a Two-Part version ECS74.

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. Ego Sum Panis Vivus was ins…

Paperback-For SATB double choir.Phillipe de Monte wrote Super Flumina Babylonis (By the streams of Babylon there we sat and wept) and sent it to William Byrd who responded by setting the subsequent verses of the psalm text Quomodo Cantabimus (How shall we sing the Lord's song in a foreign land). This edition allows these wonderful pieces to be sung as a unit or separately.