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Symphony #2


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Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano

Instrumentation :

Choral SATB


Sub-instrumentation :

SATB, Piano


Publisher :

Universal Edition


Content :
Mahler Gustav
1. Satz: Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck2. Satz: Andante comodo. Sehr gemächlich. Nie eilen3. Satz: In ruhig fließender Bewegung4. Satz: Urlicht
Sehr feierlich aber schlicht. Nicht schleppen5. Satz: Im Tempo des Scherzos. Wild herausfahrend
Wieder zurückhaltend
Langsam. Misterioso

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