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Sonates Pour Piano Forte Et Violon Op. 12


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Beethoven s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven s Tempo di Minuetto from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach s Versuch über die wahre Art das Clavier zu spielen to denote a rest. This musical symbol, which was included in the first edition published during Beethoven s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.

Instrumentation :

Violin and Piano


Publisher :

Barenreiter

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