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Music Publishing -- The Complete Guide


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Format : Textbook

By Steve Winogradsky. Book; Reference Textbooks; Textbook - General. 408 pages. Published by Alfred Music


Publisher :

Alfred Publishing

Song List: Introduction Chapter 1: Copyright Basics The History of Copyright Copyright in the United States The Copyright Act Term of Copyright Termination and Recapturing of Copyright Copyright Infringement Damages for Infringement Exceptions to the Exclusive Rights of Copyright Owners Benefits of Registration Basic Registration Process Chapter 2: Public Performing Rights Organizations: Inside the PROs--What They Do and How They Do It Copyright Law Basics for Public Performance Historical Perspective How to Join a PRO Case Study #1 Registering Songs Monitoring the Uses of Music Case Study #2 Case Study #3 Blanket vs. Per Program Licenses Source Licensing or Direct Licensing Non-Broadcast Uses Electronic Detection Methods Performing Rights and the Internet Foreign Performance Royalties Chapter 3: Mechanical Licensing for Audio-Only Product A Brief History of Phonorecords The Compulsory License Negotiated Licenses Digital Phonorecord Delivery (DPDs) The Controlled Composition Clause The Harry Fox Agency How HFA Works Other Services and Licenses Controlled Composition Clause The Harry Fox Agency License Mechanical License (I) Mechanical License (II) Royalties Reduced Due to Controlled Compositions Clause Chapter 4: Synchronization Licensing for Audio-Visual Productions Copyright Law Basics for Sync Licensing Identifying the Owners Issues with Multiple Publishers Using Most Favored Nations Clauses Key License Terms Additional Information for a Publisher to Consider The Quotation Process Motion Picture Licensing Licensing for Television Licensing Terms for Television Programs Licensing for Home Video Licensing for Commercials Writer Approvals for Commercials Collecting Public Performance Royalties Common Music Licensing Problems Case Study #4 Case Study #5 Music Cue Sheet Motion Picture Synchronization and Performing Rights License--Producer's Version Motion Picture Synchronization and Performing Rights License--Film Festivals (with Step Deals for Further Rights) Publisher's Version Television Synchronization and Performance License (with Options) Chapter 5: Print Licensing Sheet Music License (with Folio Rights) Text and Magazine Print License (One-Time Fee) Chapter 6: Songwriter Agreements Why Would a Songwriter Enter into These Agreements? Assignment of Rights Term of Services Exercising the Options Copyright Ownership Exclusivity of Services Minimum Delivery Commitment Extension of Contract Periods Royalties to the Writer Split Sheets Retention of Rights Reversion of Unexploited Compositions Warranty of Originality Indemnity Approvals Over Exploitation Ownership Splits--New Composition Songwriter's Contract--Individual Composition Publishing Agreement Assignment of Copyrights Letter of Direction Songwriter/Co-Publishing Agreement Letter of Direction to ASCAP Letter of Direction to BMI Work for Hire Clauses Delivery Commitment/Extension Clause Chapter 7: Publishing Administration Administration Agreements Foreign Sub-Publishing Agreements How Foreign Royalty Streams Are Paid and Distributed Music Created for Television and Film Black Box Income Publishing Administration Agreement Chapter 8: Composer Agreements Basic Terms Warranties and Indemnification Common Misconceptions in Composer Agreements Short Form Composer Agreement Composer Licensing Agreement Long Form Composer Loanout Agreement Chapter 9: Pitching and Placement Agreements What Does a Placement Company Do? The Placement Agreement Benefits to the Artist Potential Pitfalls for the Company Conclusion Exclusive Representation Agreement Chapter 10: Production Music Libraries Library Composer Agreements Re-titling Agreements Library Licensing Agreements Non-Exclusive Library Placement Agreement Representation and Administration Agreement Music Library Blanket License Agreement Chapter 11: Sampling Sampling Co-Administration Agreement Chapter 12: Digital Media--Part 1 Digital Delivery: Streaming and Downloading A Brief History of Digital Delivery The Illegal Downloading of Music Legal Online Music Download Services Conflicts Within the Music Industry Artists vs. Record Companies Record Companies vs. Publishers Copyright Owners vs. Consumers Copyright Owners vs. Digital Services Other Sources of Digital Revenue Ringtones, Mastertones, and Ringbacks Apps Online Video Services Audio Greeting Cards Micro Licensing Digital Rights Agreements Chapter 13: Digital Media--Part 2 Performing Rights License Rates SESAC BMI ASCAP Recent Negotiated Settlements and Digital Rates Under Section 115 Calculating Rates under the 2008 Settlement The 2012 Settlement Are You In or Out? The Future of Digital Delivery Storage vs. Access Survival Strategies Royalty Rates for the Use of Musical Works in Services Providing Interactive Streaming and Limited Downloads Summary Sheet of 2012 Section 115 CRB Settlement Electronic Code of Federal Regulations Appendix A: Excerpts of the Copyright Act of 1976 Appendix B: Internet Copyright and Publishing Resources Appendix C: List of Foreign Performing and Mechanical Rights Societies Glossary Index About the Author Songwriting and Band Politics Accountings Advances Foreign Sub-Publishing Fees

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