| The Alchemist's Touch
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Lead time before shipment : 24 hours - In StockBand Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine and more. - Grade 1 SKU: CF.BPS143 Composed by Gene Milford. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+6+2+3+3+1+4+12+16 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #BPS143. Published by Carl Fischer Music (CF.BPS143). ISBN 9781491161241. UPC: 680160919833. Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to empower the energy necessary for the change. A procession of the alchemist's apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it? Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The tap on stands instruction in mm. 46 - 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre.
Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to empower the energy necessary for the change. A procession of the alchemist’s apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it?Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The “tap on stands” instruction in mm. 46 – 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre.
Publisher : Carl Fischer
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