Stevens Two Medieval Carols Ssa

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for large mixed chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass s…

This secular collection is a fantastic resource for experiencing the music of the Renaissance. The six well-known and representative works are: April Is in My Mistress' Face (Thomas Morley) Bonjour mon coeur (Orlando di Lasso) Innsbruck I Now Must Leave Thee (Innsbruck ich muss dich lassen) (Heinrich Isaac) Je le vous dirai (Pierre Certon) Music Most Wondrous Lovely Art (Johann Jeep) What…

A definitive score for this masterpiece of Tudor polyphony edited by Henry Washington using reference to the original part-books in the British Museum. Arranged for soprano counter tenor two tenors and bass.

Comic sentimental political or just plain lewd the Broadside Ballads that flooded England between the time of Byrd and Purcell constitute one of the richest veins in our musical culture. These wer the pop songs of their day distributed up and down the land and they offer us a glimpse into the lives attitudes and sexual mores of ordinary people. Their subjects range from The Great Fire and Th…

Jameson Marvin Choral Series-This beautiful easy-to-read Kyrie from Josquin Des Pres' 'Missa Mater Patris' will be a welcome addition to your male choir's concert repertoire.This work has been edited by JamesonMarvin who along with the Harvard Glee Club has been the standard bearer for serious music for men's choirs for decades.

This magnificent 6-part setting of Psalm 118:24 by William Byrd offers a glimpse into the splendor of the English Renaissance. Arranged here for SATB divisi a cappella edited by the King's Singers with an English text by Philip Lawson. Performance Time: Approx. 2:00.

Five renaissance pieces for women arranged by John Leavitt for SSA a cappella.Contents include: Sonatemi Un Balletto Je Le Vous Dirai O Dear Love (Mein Feinslieb) How Merrily We Live and Tanzen Und Springen.

Missa Gaudeamus is a parody on the motet Jubilate Deo by Cristobal de Morales which dates from 1538 and celebrates the peace treaty signed between Francis I and Charles V.This edition for SSAATB voices is edited by Ivan moody 1992 and part of a series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissan…

The French School For 4 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time.Allappear in completely new editions by Anthony G. Petti.

Chanteur, compositeur, théoricien de la musique, Thomas Ravenscroft (vers 1590-1635) est passé à la postérité comme collecteur et premier éditeur de chansons populaires et de canons anglais (rounds ou catches).
Conçus pour être chantés à l'unisson dans des tessitures variées, les canons étaient également appréciés sur des instruments tels que flûte à bec ou violes.
Les canons s'appuient su…

Madrigals for SSATB and SSATBaBEdited by E H Fellowes. Revised by Thurston DartCONTENTSANONYMOUS How can the tree but waste (SSATB)BYRD, William Though Amaryllis dance in green (SSATB)EAST, Michael Your shining eyes (SSATBaB)FARMER, John Fair nymphs (SSATBaB)MARENZIO, Luca I must depart (Io partiro) (SSATB)MORLEY, Thomas My bonny lass (Questa dolce sirena) (SSATB) O grief e'en on the bud (SSATB)VA…

Edited by Thurston Dart23 madrigals for SSA by Bateson, Byrd, East, Hilton, Holborne, Johnson, Jones, Morley, Porter, Tomkins, Ward, Weelkes, Wilbye and Youll.CONTENTSBATESON, Thomas NightingaleBYRD, William BenedictusEAST, Michael See Amaryllis shamed How merrily we liveHILTON, John If it be loveHOLBORNE, William Gush forth, my tears Since Bonny-boots was deadJOHNSON, Robert Full fathom five Wher…

Les pièces à trois voix mixtes sont proposées pour soprano, alto et basse, certaines d'entre elles peuvent être chantées par une voix de femme et deux voix d'homme. De même, la plupart des pièces à quatre voix mixtes (SATB) peuvent être exécutées par trois voix de femme et une voix d'homme. Contenu : 3 VOIX MIXTES: J'ay espéré (chanson de la Renaissance publiée par Pierre Attaingnant) - Hélas ! Qu…

Edited by Geoffrey Bush and Michael HurdFour glees and madrigals by Pearsall, Stafford, Smith, Walmisley and S. Wesley.SSATBCONTENTSPEARSALL, R.L. Why weeps, alas! my lady-loveSTAFFORD SMITH, J. Blest pair of sirensWALMISLEY, T.A. Sweete floweres! ye were too faireWESLEY, Samuel O sing unto mie Roundelaie