for Oboe (Engish Horn), String Trio, Harp, and 2 Percussionists S. Par FUCHS KENNETH. Inspired by a painting by Robert Motherwell, this work features the oboe/English horn, with violin, viola, cello, harp and 2 percussionists rounding out the ensmble. Recorded by Thomas Stacy and musicians from the New York Philharmonic on Cala Records [CACD0511] / Date parution : 2025-05-20/ Répertoire / Hautbois…

How fun to sing about one of nature's most curious creatures! A whimsical text, bluesy overtones, quirky chromatics, and optional hand percussion paint a clear picture of the skillful lizard and his changing colors. As to be expected from Andy, the two-part writing is spot on. / 2 Parties Mixtes

Par CURNOW JAMES. Throughout The New Covenant the composer seeks to portray through programmatic music the sensitivity, love and understanding of a compassionate Christ and the strength and wisdom of the Son of God who gave Himself to become the new covenant between God and man. This descriptive work creates a word painting by use of fragments from John Newton's beautiful hymn 'How Sweet The Name …

Par HYUNG-KI JOO RICHARD. Hyung-ki Joo composed his first string quartet for the graduation concert during his last term at the Yehudi Menuhin School in 1990. In it, he pays tribute to six different artists from music, painting and literature: Henry Purcell, Samuel Beckett, Ludwig van Beethoven, Edvard Munch, Johann Sebastian Bach and Arnold Schönberg. This edition is the set of parts. For the st…

Par WENNAKOSKI LOTTA. “Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of.” Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in diff…

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonal…

From Vivaldi's Spring to Dvorák's famous 'From the New World' theme, this book and play along CD offers flautists the chance to play gems of the classical music repertoire that are not too technically challenging for the beginner to intermediate player. Easy arrangements of famous works, along with selected pieces originally written for the flute are included, each presented as a demonstration per…

Unsurpassed in his day as a lute virtuoso, John Dowland (1563'1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content :
THE THRID AND LAST BOOKE
I. Farewell too…

Par BULLOCK ROBIN. Celtic acoustic guitar and cittern wizard Robin Bullock takes the vibrating string to astonishing places with four of his own compositions, artful arrangements of another five traditional Celtic tunes, and tunes by Norman Blake and Dougie MacLean. From high-octane performances on Spider - Maho Snaps - Matelot Jig - and Old Brown Case to the extraordinarily moving and trancelike …

Par SWEENEY MICHAEL. Based on traditional tunes dating back hundreds of years, Michael\'s masterful rhapsodic setting utilizes a wide variety of styles and moods. Taking the listener on a dramatic and emotional journey, the featured melodies include: Return from Fingal, Lord Mayo, The Yellow Bittern, Captain O\'Kane, Song of the Chanter, and Behind the Bush in the Garden. Dur: 6:35 / Date parution…

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principa…