For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. I’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (I’m…

Par SPARKE PHILIP. Reflections on an Old Japanese Folk Song est basé sur la mélodie Suiryo-Bushi, qui est issue de la tradition de shamisen. L’oeuvre commence par deux versions différentes de la mélodie, suivies par plusieurs variations sur le thème enentier ou en partie, chacune dans son propre style. La section finale est dans la forme d’un scherzo, qui prend le rôle d’accompagnement à la fin, l…

for String Orchestra Score and Parts. Par SAINT-SAENS CAMILLE / LATHAM LYNNE (Arr.). This is the serious, minor 6/8 theme from the scherzo movement of the symphony. Great for expanding knowledge of chromatic fingerings and dramatic bowings. All sections get something to woodshed!/ Répertoire / Orchestre à Cordes

Par CURNOW JAMES. Beginning with a beautiful, modal soliloquy, the euphonium soloist establishes the molto espressivo style of the opening section of the composition. This is followed by an exciting scherzo which gives way to a brilliant finale. Nicely done! / Niveau : 4 / Répertoire / Concert Band ou Harmonie et Baryton ou Tuba

Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including Suite for Flute and Piano, Op. 34 which was composed for Paul Taffanel. This suite, a subtle mix of Romanticism and Classicism, particularly stands out for its nuances and is composed of…

Par PASQUINI BERNARDO. Extraits du manuscrit de PasquiniClavecin : Emer BuckleyAccord Mésotonique : Partite del Saltarello, Partite diverse di Follia, Tastata per Milone, Bergamasca, Passacaglia, Sarabanda, Partite di Bargamasca, Toccata terza, Variationi Capricciose.Accord Italie, XVIIIe siècle: Alemanda Scozzese Corrente (GIGA), Capriccio, Variationi per Francia, Tastata per lo Scozzese, Variati…

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With Piano Pieces In C Minor Woo 52 And 53. Par BEETHOVEN LUDWIG VAN. Beethoven's Sonata Op. 10/1 was composed over a long period between 1795 and 1798 in which the composer could not decide for quite some time whether to go for four or three movements. Beethoven considered two piano pieces in C minor (WoO 52 and 53) as potential third movements before the finale until he eventually decided in fav…

Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representatio…

Par ULLMANN VIKTOR. [Einsätzig; Ullmann beschreibt auf der Titelseite des Autographen folgende Unterteilung:] I Exposition (soll wiederholt werden) • II Scherzo mit Trio und verkürzter Wiederholung • III Durchführung des Hauptsatzes • IV Largo (quasi Fuge, mit Durchführung des Seitensatzes als Episode) • V Rondo-Finale mit Coda (Haupt-Thema)/ Répertoire / Quatuor à Cordes

Par ALKAN / BECK. Saltarelle; Gigue; Le Chemin de Fer; Marches quasi da Cavalleria No. 1 and No. 3; Scherzo diabolico; Minuetto alla Tedesca; Nocturne No. 2; Sonatine; Barcarolle en B minor; Andantino; Zorcico/ Recueil / Piano

Based on the Critical Edition- Orchestra material on hire. Par MAHLER GUSTAV. The large-scale form of 'Symphony No. 9' is unusual in a number of ways. It reminds in no way of the ninth symphonies of famous predecessors. Two slow movements, an Andante comodo at the beginning and an Adagio at the end, form the frame for two of the most parodistic and embittered inner movements that Mahler ever wrote…

Par REFIK KAYA CELIL. «La Sonate n°2, commandée par Bokyung Byun et composée en 2024, représente la plus vaste sonate pour guitare solo que j'ai créée à ce jour, comprenant quatre mouvements. Cette sonate se caractérise par sa nature flashy, mystérieuse, sombre et hautement virtuose, ce qui la rend c'est une pièce idéale pour les concours et les concerts. Bien que le Scherzo et le Finale puissent …

Par PERNETTE ALAIN. 'Prélude et Scherzo Miroir' pour clarinette et piano. Partitions séparées./ Répertoire / Flûte Traversière et Piano