Arch Gwyn (Arranger). Par ARCH GWYN. These five classic jazz standards have been arranged in a superb vocal jazz style for SATB and Piano by Gwyn Arch. This is a must-have collection for any choir wanting to extend their repertoire beyond the traditional. These are lively, fun to sing, arrangements and will please both choirs and audiences time and again. / Niveau : Assez Facile / Date parution …

The 'Missa brevis in E flat minor? for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use in church services, while its delightful harmonic layout and consciously simple melodies (with clear allusions to folk music) also make it perfect for concert performance.'My mu…

Accessible and practical arrangements from two popular shows, with bags of style. These choral arrangments provide around twenty minutes of fun and interesting repertoire for the mixed voice choir. The pieces can be used to add variety to a concert programme and are sure to be a hit with both choirs and audiences alike.

The massive U2 hit I Still Haven't Found What I'm Looking For is arranged here for SATB choir and Piano accompaniment, and has a rock gospel feel - perfect for choirs. / Chant Et Piano

Jazz classics for SATB choir with piano accompaniment. Suitable for Secondary School choirs. Includes Satin Doll and Dream A Little Dream . Arranged by Berty Rice. / Voix

Par DOVE JONATHAN. Two prayers of St. Edmund, beautifully set for 'a cappella' choir. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit. / Musique religieuse / Feuillet / Choeur

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simpl…

Par PINKHAM DANIEL. American composer, organist and harpsichordist, Daniel Pinkham (1923-2006) studied the Organ and music theory at Phillips Academy in Andover before studying at Harvard. His Christmas Cantata is an exciting addition to the choral repertoire. Pinkham was famously moved by a concert in Andover given by the Trapp family singers in 1939, soon after they had escaped Austria. He quote…

Joyful and creative, this new Advent offering features the option of utilizing a vocal quartet (or larger ensemble) to echo the full choir. Or, SATB choirs can perform the piece alone, if desired. Add the optional handbell accompaniment to create a sparkling Advent worship proclamation! / Choeur Mixte (SATB)

Par NIX BRAD. Sing and Celebrate 10! honors the tenth anniversary of this outstanding series for sacred, younger elementary choirs! This special, multi-purpose volume contains 2 Mini-Musicals or 10 Stand-Alone Anthems for use throughout the church year. Each mini-musical provides five songs with age-appropriate scripts plus flexible suggestions for sets, props, staging, costumes, and cast assignme…

Cinq mouvements pour choeur mixte de travail a cappella avec divisi mutiple et semi-refrain.Un réglage d'un poème de Michael Roberts Symmons (en anglais) avec le texte latin de la messe et une rime en anglais traditionnels. Co-commandé en 2006 par l'Ensemble Vocal Contemporain Université de l'Indiana, ZaterdagMatinee, le Three Choirs Festival et Soundstreams Canada.Enregistrement: BIS SACD 1719, p…

Soprano, Tenor Soli, SATB, Piano Reduction. Par ALLAIN RICHARD. Shadows of Night was originally commissioned by Tom Appleton for the Southend Festival Chorus and was scored for SATB choir, the Southend children’s choirs, strings, percussion, organ and a team of handbell ringers. Being situated on the coast, it was agreed that texts associated with the sea should form a significant part of the work…

Psalm 117. Par GILL JOANNA. In this setting of Psalm 117 the composer has created an unusually serene and ethereal setting considering the meaning of the text. Most composers that have written settings of this Psalm 'Praise the Lord, all you Nations' have written music of a robust nature and celebration. However, this setting not only uses Hebrew text but the whole composition with the exception o…

Another lullaby for insomniacs! Matthew Brown sets the poem of Alicia E. Stallings for mixed choir with piano accompaniment in his usual colourful manner. Partly forceful, partly sleepy, this piece is suitable for choirs who wish to feel their way slowly towards modern choral music. / Choeur Mixte (SATB) Et Piano

Arrangeur: Gwyn Arch. Par ARCH GWYN. Classic Pop Ballads collects three of the world's all-time great pop songs in irresistable arrangements for young or newly-formed choirs. Pieces have been specially chosen to enable successful programme planning and a manageable piano accompaniment is also provided. The optional third line is designed for boys with newly changed or unstable voices. These pieces…