Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me . Marvin Hamlisch and Carole Bayer Sager's song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon's longest-charting hit and the title of her greatest hits album. …

Par RUTTER JOHN. for SATB and organ This superb Latin mass setting for choir and organ demonstrates the composer's strong melodic sense and innate feeling for the sound of choral worship. The atmospheric Kyrie leads to a Gloria that contrasts vibrantly rhythmic passages with smoother, expressive sections. The mysterious harmonies of the Sanctus pave the way for a tender Benedictus, and the Agnus D…

Set Fire To The Rain has a fantastic Piano accompaniment, strong, thick harmonies and bold unison parts. and nbsp - A setting of thesong from Adele's second studio album 21 arranged for SATB Choir and Piano arranged by Christopher Hussey. This is the perfect song for an overwhelming concert finale or to create a striking centre-piece for a dramatic choral programme. / Choeur Mixte (SATB) Et Piano

Par VAUGHAN WILLIAMS RALPH. for SATB and piano Jonathan Wikeley's choral arrangement of Vaughan Williams's Four Last Songs offers a new way to engage with these beautiful late works. The first and last songs are accompanied with the middle two unaccompanied. The original settings are available in the first volume of Collected Songs by Vaughan Williams. / Date parution : 2023-03-11/ Répertoire / SA…

When I Grow Up comes from Matilda he Musical , the award-winning stage version of Roald Dahl's classic children's novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood. This choral version for SATB and piano accompaniment …

Par BEDNALL DAVID. David Bednall 's Shall I Compare Thee To A Summer's Day? for SATB double choir unaccompanied. A setting of Shakespeare 's much-loved Sonnet 18, Bednall 's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the wa…

Chorbuch mit mehr als 130 Werken, hauptsächlich für gemischten Chor (Coro SATB), entstanden im Auftrag des Amts für Kirchenmusik der Erzdiözese Freiburg. Das Freiburger Chorbuch ist ein „Werkbuch“, das vielfältige liturgisch-musikalische Nutzung ermöglicht. Mit seinem Werkbuch-Charakter trägt es zu einer größeren Vielfalt kirchenmusikalischer Gestaltungsmöglichkeiten bei. Die liturgische Praxis so…

Par MARTIN MATTHEW. Written for the Exon Singers' 2013 Festival, this setting of Te lucis ante terminum offers choirs an ideal introduction to the choral works of Matthew Martin. This work is suitable for use throughout the church year and combines musical sophistication with accessible choral parts. An English singing translation is included. / Choral Music / Répertoire / Voix Mixtes et Orgue

Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the spider woman, but Chicago! is perhaps their greatest and best-loved show of them all. Mama Moreton sings When you’re good to Mama to indicate to the prison inmates how the world really works. She is deeply cynical, knows the ways of the world and contro…

Par KANDER JOHN / BEALE CHARLES (Arr.). This is a vibrant and accessible arrangement of All I care about, from the Broadway hit Chicago! With opportunities for whistling, staging and lyrics full of double meanings, this will add a bit of spice to your concert programme. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity o…

Par KANDER JOHN / BEALE CHARLES (Arr.). This well-crafted arrangement of Roxie, from the Broadway hit Chicago!, is fun, sassy and accessible. A perfect opportunity for you and your choir to experiment with staging and movement! This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and fo…

Par KANDER JOHN / BEALE CHARLES (Arr.). Chicago! is perhaps the greatest and bestloved creation of writing team John Kander and Fred Ebb. In We both reached for the gun, Roxie is accused of killing her violent lover and Flynn’s argument is that they both ‘reached for the gun’ at the same time – Roxie had no choice but to kill him, or she would have died. In the staging, Roxie is portrayed as Billy…

Par EBB FRED / KANDER JOHN. First performed in 1975, Chicago has become a true classic, and no other show better portrays decidedly questionable human characteristics. Razzle Dazzle features big-shot lawyer Billy Flynn. The lovely but naïve Roxie Hart stands accused of murder, which we know she committed. Here, Billy gleefully explains how to ‘razzle dazzle’ a jury and indeed newspaper readers, us…

Cette masse a été commandé pour la gloire de Dieu dans l'année du millénaire du Jubilé, et a d'abord été effectuée sur la fête du Corpus Domini par la chorale de la cathédrale de Westminster, à Londres, avec Andrew Reid (orgue), réalisé par Martin Baker.Le réglage a été adapté à la nouvelle traduction anglaise en 2012. La première représentation de cette version a été donnée lors de la fête de Cor…