Par COURT DOUGLAS. With stately majesty your band transports the audience back to medieval days. The music fires the imagination, which is a real asset when directing young bands. Careful doubling of important parts makes sure MARCH OF THE NOBLES will be accessible to bands with sketchy instrumentation as well as complete ensembles. And, there are enough accidentals to keep the musicians’ skills m…

Par THIELE BOB / WEISS GEORGE. Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute, Violin) / 1) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 2) C Instr. (Flute, Violin, Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin, Viola) / 3) Bb Instr. (Clarinet, Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet, Soprano Sax.) / 5) C Instr. (Violi…

for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer presents his first work for this combination. Willing to try out something new, he adds to the typical character of the wind instruments the sound of the piano. The work is made up of two movements, each movement of several parts. Complex interwoven passages are set against stringently composed sections. The composer says of …

Mulsant, Florentine String quartet op. 26 Instrumentation: string quartet Edition: score and parts Item no.: fue 4250 Duration: (11'30) Difficulty: medium ISMN: 979-0-50012-925-7

Par TOMASI HENRI. Printemps by Henri Tomssi is a wind sextet for Flute, Oboe, Bb Clarinet, Alto Saxophone, Horn and Bassoon. This book includes the score for each instrument and the conductor's score. Lasting 9 and a half minutes, this melodious piece is divided into three main parts and finishes on a Scherzando section. These three pieces musically describe the flirting process of birds in Spring…

The Skye Steersman'S Song. Par REINSHAGEN FRANK. Song from the Hebrides. Compatible with clarinet and saxophone editions. Medium Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are - in a…

Tunes, Tones, and Techniques for Drawbar Keyboards. Build your Hammond chops! The secret to creating funky sizzles and classic Hammond sounds is mastering the combined use of the drawbars, expression pedal, and the Leslie speaker speed switch. Sound complicated and intimidating' It doesn\'t have to be! This hands-on guide takes you step-by-step through the techniques of playing the drawbar organ, …

20 Easy Pop Pieces In 1St Position. Par KOEPPEN GABRIEL. Inject some fun into your music lessons with Hot Violin. It contains a wide variety of pieces from blues, jazz, rock and pop music. This book is suitable for beginners and is intended for lessons and first performances. The pupils are carefully introduced to technical and musical themes, starting with several one-finger pieces before playfu…

Par STRAUSS RICHARD. A Frolic For 5 Instruments. Score And Parts / Hasenörhl / Répertoire / Ensemble Mixte

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

To be used alone or with FONTANA MIX, or any parts of CONCERT / Voix Et Instruments Divers

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies…

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…