Par ADAMS SALLY. The Best of Flute is a major collection of the best loved pieces and studies selected by the major examination boards, from current favourites to forgotten gems. These books include the pieces which have captured the imaginations of teachers and students over the years. Technically tried and tested, all the pieces have been rigorously researched by Flute expertSally Adams. A CD of…

Schott Carl Orff In Trutina (from Carmina Burana) for flute solo and flute choir: arranged by Marcello Pedruzzi, easy to intermediate level of difficulty, ISMN 9790001219488, FTR 244, 23 x 30.5 cm, 36 pages / Schott

Par ADAMS SALLY. The Best of Flute is a major collection of the best loved pieces and studies selected by the major examination boards, from current favourites to forgotten gems. These books include the pieces which have captured the imaginations of teachers and students over the years. Technically tried and tested, all the pieces have been rigorously researched by Flute expertSally Adams. A CD of…

Flute [and Flute 2 ad. lib.] and ensemble Latin-American. Par OMBREDANE OLIVIER. / Musique latine / Recueil / Flûte Traversière et Accompagnement Audio

Par BOYD ANNE. Bali Moods #1 for flute and piano, takes as its starting point traditional Balinese gamelan music and is written throughout in an equally-tempered version of the pelog scale, one of the two predominant scale systems associated with Indonesian music. The 'moods' of the title are also meant to imply 'modes'. Bali Moods #1 is the first of a series of three works for flute and piano by …

Par ADAMS SALLY. The Best of Flute is a major collection of the best loved pieces and studies selected by the major examination boards, from current favourites to forgotten gems. These books include the pieces which have captured the imaginations of teachers and students over the years. Technically tried and tested, all the pieces have been rigorously researched by Flute expertSally Adams. A CD of…

Become the featured soloist on twenty specially recorded arrangements of some fantastic hit songs from past and present! Part of the hugely successful Take The Lead series, this bumper edition gives you the opportunity to learn songs as diverse as Angels by Robbie Williams and Gershwin's Fascinating Rhythm , arranged as accessible Flute solos with Guitar chord symbols. The music is complete with t…

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Concertino for Flute in 1946. As with his other wind compositions, Concertino was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and duri…

Twelve Fantasias for Flute without Bass TWV 40:1-12 . Par TELEMANN GEORG PHILIPP. The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of the…

Par WYE TREVOR. Trevor Wye's famous Practice books for the flute are invaluable to players of every grade, and have received world wide acclaim. This omnibus edition contains practice books 1-5, which includes Tone - Technique - Articulation - Intonation and Vibrato - Breathing and Scales. Each book concentrates on individual areas of flute technique in concise detail. Together, the series forms a…

Joachim Andersen (1847-1909) was a Danish virtuoso flautist and composer who travelled widely throughout Europe, becoming one of the best concert flautists of his generation. He is best known today for his eight volumes of Etudes for Flute , which he wrote throughout his career. They are still used by top professionals all over the world to improve their technique and musicianship. Twenty-Four Sho…

Für Flöte Und Klavier Bearbeitet Von Elisabeth Weinzierl / Edmund Wächter. Par MARAIS MARIN. Marin Marais, the legendary gambist at the court of Louis XIV, mainly left works for his own instrument, which are entirely in the French ‘taste’. Marais points out that, although his works are written for viola da gamba, they can equally be playedon flute, violin or other melody instrument. Five pieces fr…