für Solostimme bzw. Frauenchor mit Begleitung. Par RHEINBERGER JOSEF GABRIEL. Of the works presented in volume 6, the Four elegiac Songs op. 128 for solo voice and organ, with their arialike characteristics, are musically among the most demanding compositions. The Marian Hymns op. 171 display a variety of scorings for small ensembles, a trait which characterizes all the songs in this volume: This …

Par TIPPETT MICHAEL SIR. Détails de la formation instrumentale: 3(3pic).2.ca.3 (Ebcl/bcl).2.cbn-4.2.3.1- 7perc(sn.dr., t.d., b.d., clashed cym., large sus.cym., w.bl., cast., tri., xyl., vib., glock., crots., bells - plus single G on separate stand, claves, 3 anvils (high, medium, low))-2hp.cel.eorg-Strings - Durée: 25' - Langue: English -/ Répertoire / Soprano et Orchestre

Instrumentation : Low voice - Pf(Ger.) Content : An die Hoffnung;Marmotte;Freudvoll und leidvoll;Der treue Johnie;An die ferne Geliebte (Liederkreis);Wonne der Wehmut;Zärtliche Liebe (Ich liebe dich);Mignon;Der Kuss;Der Liebende;Lied aus der Ferne;Opferlied;Vom Tode;Sehnsucht;Das Blümchen Wunderhold; Mit einem gemalten Band;Die Trommel gerühret;Die Ehre Gottes aus der Natur;Gottes Macht und V…

This text covers every possible style appropriate to an intermediate book for woodwinds. It includes music from the Baroque, Classical, Romantic, and Twentieth Century eras while representing more than a dozen countries. Original compositions are included to strengthen young artist skills in developing both facility and tone. The musical collection provides a diverse selection of quality repertoir…

Par NEUMANN FRIEDRICH. Klassische Themen Neu Entdeckt In Top-Hits Von Coolio Bis Down Low/ Recueil / Divers

Legato Etudes for Frech Horn, based on the vocalises of Guiuseppe Concone, is addressed to three specific problems faced by the French horn performer: interpretation of the legato phrase, extension of the low range, and familiarity with the bass (F) clef. Key signatures, time signatures, and dynamic markings have received careful consideration in relation to these problems.

Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock…

Par TIPPETT MICHAEL SIR. Détails de la formation instrumentale: 3(3pic).2.ca.3 (Ebcl/bcl).2.cbn-4.2.3.1- 7perc(sn.dr., t.d., b.d., clashed cym., large sus.cym., w.bl., cast., tri., xyl., vib., glock., crots., bells - plus single G on separate stand, claves, 3 anvils (high, medium, low))-2hp.cel.eorg-Strings - Durée: 25' - Langue: English -/ Répertoire / Soprano et Orchestre

Par . Dick Sheridan has compiled essential themes for ten classic rags that sound great on ukulele. These arrangements will work for soprano, concert, and tenor ukuleles in both C and low G tunings and for baritone ukes in standard tuning. You'll be able to play along with melodies and accompaniment chords thanks to the great recordings that are accessed online. The book includes a complete score …

Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. Inventory is currently available but may change due to the low quantities normally kept on hand. Dedicated to Valeriy Matyukhin, conductor of the National Philharmonic of Ukraine. Movements: I. Fresko of Maidan, II. Praying for Peace. Duration ca. 16\' / Date parution : 2022-07-23/ Répertoire / Orchestre de Chambre

Par CURNOW JAMES. The title, SILVER RIBBON CHANTEYS, comes from the fascinating history of Ohio and the collections of great old folk songs that came into existence because of the Ohio-Erie Canal. There are three distinctly different movements, each featuring one historic canal folk song. The diverse folksongs call for a wide range of playing styles and make a well-balanced and interesting combina…

Par DVORAK ANTONIN. Serenade No. 1 for string orchestra, and Serenade No. 2 for winds, horns, and low strings, both composed in the late 1870s are two of Dvorak's most popular and frequently performed works. These splendid pieces embody the qualities we have come to associate with the composer's most colorful and typical music. Reproduced from early editions./ Répertoire / Orchestre

Arranged and adapted by Andrea Cappellari
Include Backing Tracks CD.

Hidden treasure chests motivate this pirate to action on the high seas! Legato bowings, pizzicato, lifts, and some marcato bowing express the pirate's determination in his quest. All sections share the minor melodies, which include great reinforcement of low 2nd fingers in upper strings. The viola part doubles the 2nd violin part. Fun for all! (2:00) / Orchestre A Cordes

Walther Durr continues the new Urtext edition of Schubert's lieder by editing Volume 8 in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on works of a particular poet, immediately catch the eye: they consist of a number of Ossian settings, a group of Klopstock …