Par COHEN MARY / SPEARING ROBERT. Masterful duo Mary Cohen and Robert Spearing team up once again in this wonderful collection of original pieces for established beginner string quartet. Quartetstart Level 2 is full of stimulating and enjoyable repertoire which has been carefully devised for string players of around ABRSM Grade 2?3. Building on the skills and ideas first introduced in Quartetstar…

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been delib…

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been delib…

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been delib…

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Compos…

A collection of 86 classic blues songs from the 20s through to the present day, featuring pivotal songs by the leading artists that defined the genre. All the songs have been arranged in the original keys from the actual recordings including guitar chord boxes and complete lyrics. / Chant Et Guitare

This four-language dictionary of music contains more than 4000 terms and is intended for musicians, teachers, students and amateurs who wish to understand and use specialist foreign terms. The book is not academic in scope- it is based on practical experience, derived from the examination of directions given on a large number of orchestral scores, piano pieces and transcriptions, and instrumental …

Par SCHUMANN ROBERT. Editeur(s) d'origine: Beenhouwer, J De -Draheim J/ Répertoire / Piano et Orchestre

Par HUDSON ROBERT. These studies have been written to provide trumpeters with a wide variety of musical and technical challenges progressively arranged from beginner to more advanced levels. Each study forms a complete musical statement, the whole collection encompassing Classical, Jazz, Funk, Rock and other traditional and popular styles. / Répertoire d'Examen / Etude / Trompette

Par SCHUMANN ROBERT. Although Schumann’s style suits the clarinet extremely well, he did not write a great deal for the instrument – The Three Romances Op. 94 were written for oboe, with clarinet and violin as suggested alternatives. The Three Romances contrast strongly with one another, and this is important to bring out when interpreting these delightful miniatures. This version is for Clarinet …

Par LOCKHART ROBERT. This anthology of pieces for solo piano and piano duet has been written to accompany the childrens story Lion Boy the tale of a boy who can speak Cat. A snapshot of the story is included alongside each piece helping young players to capture the right mood. This book comes with an accompanying CD. / Niveau : Facile / Recueil / Piano

Versions 1833 And 1850. Par SCHUMANN ROBERT. Schumann kept coming back to variation form. He often wrote his own variations in contrast to those on popular (operatic) themes, with which piano virtuosi of the time flooded the market. The “Impromptus” were written with the desire that they “should be seen to be variations of a new form” – he even skilfully joined two themes together. Although Franz …