Ricordi Vocal Score Series. Par DONIZETTI GAETANO. Gaetano Donizetti’s Roberto Devereux, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 29 October 1837. Although it largely disappeared from the repertory at the end of the nineteenth century, it has now consolidated a position as one of Donizetti’s most innovative late operas and is very of…

Oratorio In 3 Parts Soft-Cover Score. Par HAENDEL GEORG FRIEDRICH. How practical! Towering masterpieces of choral history are now appearing this handy and affordable score to complement the substantial linen-bound complete edition volumes. The tried and tested musical text of the 'Messiah' remains the same, whilst the Foreword has been revised and supplemented by an English translation./ Répertoi…

Par BACH JOHANN SEBASTIAN. How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text remains unchanged, whilst the Foreword has been revised and supplemented by an English translation. / Date parution : 2019-11-21/ Répertoire / Chant et Orchestre

Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Funeral Cantata. Par TELEMANN GEORG PHILIPP. Telemann's Funeral Cantata “Du aber, Daniel, gehe hin” appears here for the first time in print. A score of the work, until Second World War, was held in the Berliner Sing-Akademie. It was written by J. Dirmar, the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score, parts (BA3583) and choral score (BA3583-91) ava…

The Groovy Version of OX. Par SCHONHERR CHRISTOPH. Christoph Schönherr, Professor at the Hamburg Conservatory of Music, is a respected expert in the field of jazz and pop choirs and he is a much sought after choral composer. He has written of his work: “I have been especially influenced by the polarity of the text. On one hand it expresses Mary's joy at her pregnancy, but on the other Mary present…

Par PARK OWAIN. Footsteps by Owain Park was commissioned by Tenebrae with generous assistance from Arts Council England, PRS for Music Foundation, Santander Discovery Foundation Grant, Britten-Pears Foundation and The Fidelio Charitable Trust. The work, for unaccompanied mixed choirs, explores the themes of travel, solitude and journeying. Owain Park says: 'Footsteps is the result of many months o…

Par TCHAIKOVSKI PIOTR ILITCH. Tchaikovsky's most outstanding sacred choral settings collected in a single edition. This is an invaluable addition to the chamber choir repertoire and includes singing English translations and transliterations of the original text, with a pronunciation guide for the Russian. / Niveau : Assez Facile / Date parution : 1996-04-18/ Répertoire / SATB

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…

Mass in Time of War. Par HAYDN JOSEPH. The “Missa in Tempore Belli”, also known as the “Mass in Time of War”, composed in 1796, makes prominent use of timpani as well as a wind fanfare at the beginning of the “Dona nobis pacem” – both clear and unusual references to a warlike context. One year after the first documented performance which took place in the year of its composition as part of the Fi…

Mass in Time of War. Par HAYDN JOSEPH. The “Missa in Tempore Belli”, also known as the “Mass in Time of War”, composed in 1796, makes prominent use of timpani as well as a wind fanfare at the beginning of the “Dona nobis pacem” – both clear and unusual references to a warlike context. One year after the first documented performance which took place in the year of its composition as part of the Fi…

Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research. With many corrections in the solo part and Orchestral parts. Piano reduction for 2 Pianos with a separate solo Piano part. A must for Pianists,Orchestras and Beethoven scholars. Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the s…

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the …

Par PAGE VICTOR. Cent mille milliards de visages, composition de Victor PAGE, textes de Raymond Queneau, suite pour chœur a cappella à quatre voix mixtes SATB : Où l'envie de composer de la musique vocale rencontre l'œuvre poétique de Raymond Queneau 'Passionné de la voix et du chœur, je nourrissais depuis 2012 le projet d’écrire une œuvre vocale aux dimensions d’une petite messe. Mais, les t…