Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variées allant dans le style du classique et sentimentale à l'humour et folle. Avec les normes du répertoire sont de nouveaux morceaux et arrangements frais par certains des plus beaux arrangeurs. Le volume offre un kaléidoscope inégalée de rappels de concert. Peter Gritton étudié la musique au Clare College, Cambridge avant de …

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SSA choir…

Par SIBELIUS JEAN. This collection of Six Part-Songs for Female Voices contains six relatively different pieces that vary both in the language of their texts (Finnish and Swedish) and in length and number of voices. Nevertheless, they form a coherent and interesting set of moderate difficulty throughout, making Sibelius as a composer accessible to smaller female choirs and ensembles. The pieces w…

This Grammy award winning, romantic ballad by The Beatles features French lyrics inspired by the French bohemian culture of the sixties Michelle also features a unique finger-picking style on the guitar mimicking Nashville guitarist Chet Atkins. This arrangement sees a reimagining of this guitar style onto piano, with the beautiful melody and steady bass movement reflected in the voices. Arranged …

Vol.Three - Songs For Children'S Choir. This collection of choral music brings together settings of Latvian folk songs and poetry by Ešenvalds, Sejans and others. Scored for SSAA and ranging from beginner to intermediate difficulty, this volume is particularly ideal for children's choirs seeking to expand their repertoire./ Recueil / Choeur d'Enfants SSAA