Par MARK KAILANA NELSON. While the 'ukulele is enjoying a well-deserved renaissance on the mainland, in the land of its birth, it has never gone out of style. Hawaiians took to the 'jumping flea' right from the start, creating music of stunning beauty and versatility. Now intermediate players can learn to play lovely finger style solo arrangements of classic Hawaiian songs, folk songs, standards-e…

'St. Louis Blues' is a well-loved classic tune by W. C. Handy wrapped in Ellington's colorful and hip orchestration. Features a vocal soloist as well as tenor sax, and can be opened up for other solos. Medium tempo in the key of B-flat. / Ensemble De Jazz

21 Mega Favourites/ Recueil / Flûte à Bec Soprano

/ 3 Parties Solo Et Orchestre De Chambre

Faites de chaque dollar avec le nouveau Livre Bleu des guitares électriques 14ème édition! Le livre bleu des guitares électriques 14ème édition est maintenant étendu à près de 1.400 pages, dont une version révisée de 16 pages couleur Système de classement de photos. Il contient également des informations de référence de la guitare et des valeurs sur plus de 1.250 fabricants de guitares / distribut…

Collection 'Carnets du 21e siècle'.6 pièces pour piano solo.- Récit- Mécanisme à 'cinq-huit'- Harmoni(qu)es sympathi(qu)es- Valse esqui(s)se- D'une gondole oubliée - (Des)accords1 à 4 mn par pièce.Ce recueil, extrêmement varié, permet au pianiste d'aborder un langage contemporain original...Ce recueil, extrêmement varié, permet au pianiste d'aborder un langage contemporain original.Les différentes…

Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twen…

/ Flûte A Bec Soprano / 20 pages / niveau : Très Facile - Facile / Partition + Cd

Seventeen of The Hold Steady's greatest songs in their first full guitar TAB collection. / Guitare

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Par JOLLIFFE EDMUND. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and Piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shift…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be descr…