If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enrichin…

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun./ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes …

Meditation on 'O come, O come, Immanuel'. The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Francisca…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accomp…

Par FELDMANN WALTER. Commissioned by the Ensemble Intercontemporain In 1989 I first discovered the writings of Anne-Marie Albiach. H II linéaires especially impressed me, on the one hand through the sensual presence of the words, and on the other hand, above all, through the spatial disposition of the typography. This is a form of writing which has nothing to do with all that has existed before it…

Par HENSON KEATON. The Tallowmere Annual is a unique collection of words, sound, and ink paintings by musician and artist Keaton Henson. This hardback, special limited edition, mixed-media book tells the fragmented story of a town that never existed, Tallowmere, seemingly empty, showing only outlines of living things, words once spoken, and the sounds of distant mourning. The first of its kind, th…

Par JOHNSON TIMOTHY. A powerful new work for beginning band! The words “exciting” and “accessible” don’t always go together in the band literature field, but Timothy Johnson’s new composition honoring Zebulon Pike’s historic exploration brings these words together with masterful style. Your young band students will love playing this forceful and mysterious music. Don’t forget the cross-curricular …

Theme from Songs of SanctuaryInstrument : mixed choir (SATB) and pianoType : choral scoreNombre de Pages : 12The music from the million-selling album, featured on the Delta Air Lines TV commercial. Adiemus combines classical and ethnic influences to create a haunting, tribal sound.Songs of Sanctuary is an extended choral-type work based on the European classical tradition, but where the vocal soun…

(In Other Words). Par HOWARD BART. In Other Words / Niveau : 4 / Répertoire / Concert Band ou Harmonie

Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic repre…

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun./ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes …

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun. / Date parution : 1993-01-01/ Répertoire / Solistes…

Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Soprano part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto…

Par JOLLIFFE EDMUND. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and Piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shift…