Par SCHUMANN ROBERT. Meticulous transcription of Schumann’s orchestral score Solo violoncello part corresponds to the Urtext edition of the concerto, edited by Kate Bennett Wadsworth Spaciously presented string parts with practical page turns in a large format (25.5cm x 32.5cm) / Date parution : 2025-01-21/ Répertoire / Violoncelle et Quatuor à Cordes

Par . This little notebook is handsome as well as practical. The notebook has the same layout as our Urtext editions. The pages alternate with musical staves on the left and writing lines on the right. The superior quality of paper used for the notebook matches that of our fine Urtext editions. ?Bärenreiter Notes? serves ideally as: - A student lesson book - A general note book - A gift / Date pa…

Autograph: Bibliothèque Nationale de France. Par DEBUSSY CLAUDE. Facsimile in high-resolution four-colour reproduction Scholarly commentary Lavish design and high-quality binding / Date parution : 2025-01-21/ Répertoire / Orchestre

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 79 and 81, Haydn's D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince's orchestra. Continuing the co…

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the 'English Symphonies” as they are stylistically closely linked to 'the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he describe…

Creation Mass. Par HAYDN FRANZ JOSEF. Haydn's Mass in B-flat major, also known as the 'Creation Mass” was composed in 1801. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation” and 'The Seasons”. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and …

Hob Xxii 11 Nelson Mass Soft-Cover Score. Par HAYDN FRANZ JOSEF. Haydn's Missa in Angustiis, also known as the 'Nelson Mass', was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation' and 'The Seasons'. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale c…

C major. Par HAYDN FRANZ JOSEF. Concert for violoncello and orchestra. Urtext from: Joseph Haydn Werke, G. Henle Verlag München / Classique / Répertoire / Violoncelle et Orchestre

Par HAYDN FRANZ JOSEF. The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended. In its original orchestration for two oboes or English horn, strings and o…

Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this nam…

Par SEITHER CHARLOTTE. “Red roots” (2022) hints at its source material in depth – only to turn it into something independent. Starting from a Beethovenian cell (from the unpublished sketch, “Wir irren allesamt”), the focus is on leaving the point of departure, which brings up new lines in the interior of the piano. Here, the (supposed) Beethoven presents himself as an “invented memory”, so reality…

Par MYSLIVECEK JOSEF. Numerous copies of the sonatas for piano/ harpsichord by Josef Myslivecek (1737-1781) are scattered throughout Europe, which testifies to their popularity at the time (among others, W. A. Mozart mentioned them approvingly in a letter to his father). Three years after the composer's death, they were published in Edinburgh under the title “Six Easy Lessons for the Harpsichord”.…

Par SCHUBERT FRANZ. This collection appears as part of a series of popular works from the Bärenreiter catalogue celebrating the 100th anniversary of the publishing house. It presents two popular pieces from the 'Moments Musicaux' op. 94 as well as the much played Allegretto in C major and the Hungarian Melody in B minor. The four pieces are taken from the Bärenreiter Urtext editions of the 'Moment…