Gespräche mit Vera Baur. Par GERHAHER CHRISTIAN. Christian Gerhaher ist ein Phänomen. Vom Publikum gefeiert, von der Fachwelt umjubelt und in seinem Rang als Liedsänger oft mit Dietrich Fischer-Dieskau verglichen, bleibt er ein Zweifler, der sich und seine Kunst in Frage stellt. Vielleicht macht ihn dies zu jenem Ausnahmekünstler, der auch Philosophie und Medizin studierte und dessen warme, klare,…

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Compos…

A Must-Have Collection of Well-Known Songs, Including Several Tuba Features. If you've been learning to play the tuba for a little while, you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Tuba includes a wide variety of favorite songs, from pop hits and movie themes, to folk songs and classical melodies, several of which o…

Par WEILL KURT. Kurt Weill developed his creative energies mainly within the world of musical theater, where he proved to be an immensely productive and imaginative innovator, but he also left behind a small body of work for the concert hall. The Concerto for Violin and Wind Orchestra op. 12 dates from the spring of 1924. Scored for two flutes, clarinets, bassoons, horns, one oboe and trumpet, per…

Six partitas for 2 violins, gamba (violoncello) & b. c. Bach was impressed by Reincken and arranged some of Reinckens themes from HORTUS MUSICUS (1687) for harpsichord (BWV 954, 965). The ensemble Les Cyclopes recorded HORTUS MUSICUS for the label Pierre Verany (PV 796052). Also Reinhardt Goebel recorded this music (Durata each volume: ca. 28?). Series Collection Thierry Mathis Partitas 5 & 6

Film Themes: The Piano Collection brings together favourite themes and songs from such films as Star Wars, Frozen, Hunger Games, How To Train Your Dragon and Twilight, plus several pieces from the Harry Potter film series, all arranged for the intermediate pianist./ Recueil / Piano

My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The …

Miguel Alcdzar was born in Mexico City on April 26 1942. He followed a professional career which involved activities in the fields of performance, pedagogy, musicology and composition. He gave the first performances of the Concertino by Blas Galindo, with the composer himself conducting the National Symphony Orchestra of Mexico, the Concierto of Manuel Ponce, in its original version, the Concerto …

Carlos Franzetti est né en 1948, à Buenos Aires, Argentine. Il a travaillé avec Paquito de Rivera, Joe Farrell et parmi les autres artistes talentueuses, aussi pour Beat Street, Misunderstood et les Mambo Kings et de prendre des dispositions pour le Boston Pops Orchestra, Carnegie Hall Jazz Band et l'Orchestre symphonique américain. / Brass Band

'Dieux de l'Olympe' a été commandée par le Choeur Really Big pour la performance au Hall de Londres au Royal Albert en Juillet 2012. En accord avec l'esprit de l'Olympiade de 2012, le morceau est basé sur la Grèce antique, berceau des Jeux Olympiques. Les mouvements sont inspirés par quatre des douze Olympiens, les dieux mythiques qui habitaient sur ??le mont Olympe: Zeus, souverain de l'Olympe- H…

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of conc…