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Full Orchestra - Level 3 - Digital Download

SKU: A0.750792

Composed by Rev. Clement Cotterill Scholefield (1839–1904). Arranged by Brendan Elliget MAGA 537. Christian,Contemporary,Sacred. Score and parts. 31 pages. BJE Music #3601971. Published by BJE Music (A0.750792).

This piece of music is dedicated to the memory of Vic Sykes (1929-2018) - who was Principal Horn player for my local orchestra - The Frankston Symphony Orchestra - for over 50 years!

It is an arrangement of the hymn tune St. Clement - The Day Thou Gavest Lord Is Ended - or Evening Hymn. It features, of course, the French Horn - a Horn Quartet in fact, with orchestral accompaniment. Very appropriate for ANZAC day or Remembrance Day...

St Clement, in 98. 98. meter is a popular British tune to John Ellerton's hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotterill Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan's Church Hymns with Tunes (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. [Wikipedia]

Grade = 3.5 Duration = 3:05 mins.

The MP3 recording was done with NotePerformer 3.

The Day Thou Gavest Lord Is Ended - Horn Quartet with Orchestra Score and Parts PDF
Orchestra

$20.00 18.37 € Orchestra PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.922636

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Violin II

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records] 
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. 

Resources:

• Visit

Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
String Orchestra

$3.99 3.66 € String Orchestra PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.922638

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Viola

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
String Orchestra

$3.99 3.66 € String Orchestra PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.799741

Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741).

Nikolai Rimsky-Korsakov

Scheherazade - I. The Sea and Sinbad’s Ship


Pick-A-Part Arrangement 

for String Orchestra by

Dr. Grant Gilman



String Orchestra Parts in This 

Pick-A-Part Arrangement

Violin 1A

Violin 1B

Violin 1C


Violin 2A

Violin 2B

Violin 2C


Viola A

Viola B

Viola C


Cello A

Cello B

Cello C


Bass A

Bass B

Bass C


Harp/Keyboard (optional)


About Pick-A-Part Arrangement

This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork.

In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. 

For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts.

For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this:

    • Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B
    • Violin 2 - one on Violin 2B, the rest on Violin 2C
    • Viola - both on Viola C
    • Cello - three on Cello A, one on Cello B, and the rest on Cello C
    • Bass - one on Bass C

This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. 


A Note about the Score and Printing

The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!

www.grantgilman.com

www.americanmusepodcast.com 

Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
String Orchestra

$29.99 27.54 € String Orchestra PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.813844

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.

Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
String Orchestra

$18.00 16.53 € String Orchestra PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.1394221

Composed by Pyotr Tchaikovsky. Arranged by Paul Wood. Romantic Period. 228 pages. MyMusicScores.com #977695. Published by MyMusicScores.com (A0.1394221).

Immerse yourself in the virtuosic splendor of Tchaikovsky's Violin Concerto in D Major, Op. 35, with this arrangement for Violin and String orchestra. This score, published by MyMusicScores, offers violinists and a chance to explore the concerto's emotive depth with a String Orchestra accompaniment.

This arrangement honours Tchaikovsky's original composition, while presenting it in a new light.

Concerto Background:

Premiere: December 4, 1881, in Vienna, with Adolph Brodsky as the soloist.

Composition & Publication: Written in 1878, with the initial publication for violin and piano in the same year, and the full orchestral score in 1888.

Initial Reception: The concerto faced early criticism for its demanding nature, leading to a hesitant premiere. However, it has since ascended to prominence, admired for its technical demands and emotional expressiveness.

The concerto endures as a pinnacle of the violin literature, challenging violinists to express its rich, melodic voice, and captivating audiences with its enduring beauty.

The PDF file contains the score and all parts.

Tchaikovsky Violin Concerto for Violin and String Orchestra
String Orchestra

$45.99 42.23 € String Orchestra PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.922634

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Violin I

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit

Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
String Orchestra

$3.99 3.66 € String Orchestra PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1316163

Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904900. Published by Chappell Kingsland (A0.1316163).

Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.

This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements with Violin or C Instrument as the soloist for sale on this website.

Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.

Boccherini Minuet and Trio - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
Chamber Orchestra

$50.00 45.91 € Chamber Orchestra PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1316161

Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904898. Published by Chappell Kingsland (A0.1316161).

Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.

This arrangement is for Instrumental Soloist in C (flute, oboe, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements with Violin or Bb Instrument as the soloist for sale on this website.

Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.

Boccherini Minuet and Trio - arr. for Instrumental Soloist (in C) and Chamber Orchestra
Chamber Orchestra

$50.00 45.91 € Chamber Orchestra PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.922637

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Cello

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit

Olga-Polka, Op. 196 (arr. for string orchestra): Cello
String Orchestra

$3.99 3.66 € String Orchestra PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.998515

Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 64 pages. Scott Fields Davis #6473129. Published by Scott Fields Davis (A0.998515).

The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer.

This is an orchestral arrangement of the second movement of the second of four piano sonatas written by John Field and arranged for orchestra by Scott Fields Davis.

This download contains the conductor's score and all instrument parts.

Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass.

Approximate duration is 4 minutes and 35 seconds.

To download the other movement, click the following link:

John Field, Sonata II (Movement I) arranged for orchestra by Scott Fields Davis

 
John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis Chamber Orchestra

$14.75 13.54 € Chamber Orchestra PDF SheetMusicPlus

Strings - Level 3 - Digital Download

SKU: A0.1371397

By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival. Full Performance. Duration 163. Paul Barker Music #955614. Published by Paul Barker Music (A0.1371397).

MP3 Performance Recording of Pulsar for String Orchestra. Score and Parts are available here.

Prepare to be swept away by the electrifying energy of Pulsar – the ultimate concert finale experience for String Orchestra and optional Percussion! Experience the pulse-pounding rhythms, embrace the unforgettable main themes, and immerse yourself in the powerful use of dynamics that will leave audiences on the edge of their seats. A Violin III part is also provided to support the Viola.

Duration: 2:50
Level: Intermediate (UK Grade 5+ & USA 2+)
Occasions: Large Concerts - Festivals - Competitions - Finale
Instrumentation: String Orchestra - Optional Orchestral.

Pulsar (String Orchestra MP3 Performance Recording)
String Orchestra
Paul Barker
$4.95 4.55 € String Orchestra PDF SheetMusicPlus






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