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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download

SKU: A0.592496

Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366105. Published by David McKeown (A0.592496).

It’s Been a Long Long Time is arranged as a duet for one Flute and one Clarinet

It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.

Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes.

Click the link above to listen to a full performance of the clarinet version on YouTube.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

It's Been A Long, Long Time
Flute, Clarinet (duet)

$5.99 5.7 € Flute, Clarinet (duet) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download

SKU: A0.592529

Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366327. Published by David McKeown (A0.592529).

It’s Been a Long Long Time is arranged as a solo for one Bassoon with Piano accompaniment.

It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy yearsfinally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.

Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. 

Click the link above to listen to a full performance of the clarinet version on YouTube.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

It's Been A Long, Long Time
Bassoon, Piano (duet)

$5.99 5.7 € Bassoon, Piano (duet) PDF SheetMusicPlus

Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download

SKU: A0.592500

Composed by Jule Styne. Arranged by David McKeown. Contemporary. 4 pages. David McKeown #6366115. Published by David McKeown (A0.592500).

It’s Been a Long Long Time is arranged as a duet for one Flute and one Trumpet.

It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy yearsfinally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.

Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. 

Click the link above to listen to a full performance of the Flute version on YouTube.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

It's Been A Long, Long Time
Flute, Trumpet (duet)

$5.99 5.7 € Flute, Trumpet (duet) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download

SKU: A0.592507

Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366129. Published by David McKeown (A0.592507).

It’s Been a Long Long Time is arranged as a duet for one Oboe and one Violin.

It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy yearsfinally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.

Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. 

Click the link above to listen to a full performance of the clarinet version on YouTube.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

It's Been A Long, Long Time

$5.99 5.7 € PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download

SKU: A0.592490

Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366089. Published by David McKeown (A0.592490).

It’s Been a Long Long Time is arranged as a duet for one Clarinet and one Alto Saxophone.

It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy yearsfinally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.

Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. 

Click the link above to listen to a full performance of the clarinet version on YouTube.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

It's Been A Long, Long Time
Saxophone, Clarinet (duet)

$5.99 5.7 € Saxophone, Clarinet (duet) PDF SheetMusicPlus

Level 3 - Digital Download

SKU: A0.1488249

Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249).

I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.

The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).

However, in the future, I don't rule out creating a version for the standard quintet too!

On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.

But then it's no surprise, Bach's music is always extraordinary and surprising!

The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.

Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of ??the arrangement and for studying the individual parts.

Good music!

am.

Contrapunctus I - From The Art of The Fugue ~ BWV 1080

$4.99 4.75 € PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download

SKU: A0.549425

Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.


Dvořák Background

Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music.

Ascent to Fame

Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched.

International Status

Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio.

United States

Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

 

DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
Baritone Saxophone, Piano

$32.95 31.36 € Baritone Saxophone, Piano PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - Digital Download

SKU: A0.549421

Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.


Dvořák Background

Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music.

Ascent to Fame

Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched.

International Status

Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio.

United States

Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
Soprano Saxophone and Piano

$32.95 31.36 € Soprano Saxophone and Piano PDF SheetMusicPlus

Small Ensemble Drum Set,Marimba,Vibraphone,Viola - Level 4 - Digital Download

SKU: A0.869590

Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #4102857. Published by Thomas Oboe Lee (A0.869590).

Violist Noriko Futagami and multi-percussionist Bob (Robert) Schulz have played my music on many occasions, especially as members of the Boston Modern Orchestra Project.  Noriko and Bob are a domestic pair and this is a musical Christmas present for them.  

True Confession.  I have always been a fan (a secret and odd admirer) of Morton Feldman's music since I was a graduate student in composition, way back in the early 70's.  When I say odd admirer I mean to say that I admire him from a distance, more out of respect than from any true emotional response to his music.  Why is that?  Well, his music and mine are so different ... But I respect his artistic integrity and guts!!!  

Anyway, The Viola in Bob's Life (of course, I stole the title from MF!!!) is in four movements.  The viola is featured in all of them.  Bob plays a different percussion instrument in each, except he has to do some clever overdubbing in the last because it is scored for marimba and drum set.

1. Allegro ... for viola and marimba.
2. Allegro ... for viola and drum set.
3. Adagio ... for viola and vibraphone.
4. Moderato ... for viola, marimba and drum set.

Enjoy!!!

Audio link: https://thomasoboelee.bandcamp.com/album/the-viola-in-bobs-life-2018

YouTube link: https://youtu.be/Enc9pgCfvPo


The Viola in Bob's Life (2018) for viola and percussion

$9.99 9.51 € PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.549424

Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.


Dvořák Background

Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music.

Ascent to Fame

Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched.

International Status

Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio.

United States

Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Tenor Saxophone and Piano

$32.95 31.36 € Tenor Saxophone and Piano PDF SheetMusicPlus

Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download

SKU: A0.549430

Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494193. Published by jmsgu3 (A0.549430).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  


Dvořák Background

Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music.

Ascent to Fame

Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched.

International Status

Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio.

United States

Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano

$32.95 31.36 € PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - Digital Download

SKU: A0.1017672

Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 2 pages. Gordon Jackson #6434379. Published by Gordon Jackson (A0.1017672).

174

Turlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.

The rather prosaically titled ‘174’ is simply the result of the air’s original name being lost in the mists of time, and Donal O’Sullivan, in his Carolan: The Life Times and Music of an Irish Harper [sic.] allocated numbers to the tunes that had no titles (171-180).

I have arranged this primarily for solo mandolin, although I’m sure it can be adapted for other instruments. The piece is played three times through: first, the basic unadorned melody; second, with just a few simple double stops and open strings; third, a fully-realised romp with many, often quite tricky, double stops (and open strings, of course, but they’re pretty easy!). I’ve added guitar chords above the staff (letter names only), not that it necessarily needs further accompaniment. The melody is so heavily arpeggiated the chords more or less wrote themselves. A word of warning – easily discovered for yourselves, really – beware of attempting to play this too fast lest those runs of quavers (16th notes) catch you unawares!




Carolan: 174
Mandolin, Guitar (duet)

$4.99 4.75 € Mandolin, Guitar (duet) PDF SheetMusicPlus

Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download

SKU: A0.549427

Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.


Dvořák Background

Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music.

Ascent to Fame

Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched.

International Status

Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio.

United States

Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

 

DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano

$32.95 31.36 € PDF SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download

SKU: A0.549432

Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432).

Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.


Dvořák Background

Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music.

Ascent to Fame

Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched.

International Status

Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio.

United States

Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Bass Clarinet, Piano

$32.95 31.36 € Bass Clarinet, Piano PDF SheetMusicPlus

Guitar Ensemble Guitar - Level 2 - Digital Download

SKU: A0.797833

By Michael Jackson. By Walter Scharf. Arranged by Derek Hasted. Pop. Score and parts. 12 pages. Derek Hasted #6514437. Published by Derek Hasted (A0.797833).

BEN (MICHAEL JACKSON) - 3 GUITARS or LARGE ENSEMBLE
For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.

Derek Hasted writes If there was one piece of music that showed the true extent of Michael Jackson’s musical prowess, it would surely be Ben, sung faultlessly and with great maturity at such a tender age.

My arrangement for 3 guitars is in E. The original was in F, and you can, of course, fit a capo on fret 1 to play in the original key if you want.

The choice of E gives a lovely rich sound with plenty of sustain, ideal for such a slow and tender piece.

Much of the piece can be played in first and second positions, though the tone will be all the nicer if the music is taken up the neck. The use of B# and Fx may mean the music looks alien at first, but it’s under the fingers and the use of Fx rather than G, for example, gives the music the proper shape on the page.

This arrangement is also ideal for a large ensemble. Whether you perform it on three guitars or in a large group, it will make a wonderfully haunting and moving sound that an audience will most certainly enjoy.

I also have a separate version for two guitars which is a little more complex. Find it by going to my website (below)

I hope you enjoy playing this piece!
Ben
Michael Jackson
$4.99 4.75 € PDF SheetMusicPlus






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