SKU: A0.575646

A tour de force of breathing for a tuba and euphonium quartet, but very effective and meditative. The idea of writing a piece based on plainchant was suggested to me by the quartet Tubalaté, who are playing the piece in the sound sample here. The amen section at the end courses through many ideas for amens used by composers over the centuries, ending with a rather unusual English cadence. The plainchant used is Te lucis ante terminum (To thee before the close of day...) The pdf file contains score and parts.
Video https://www.youtube.com/watch?v=Drf0Vb_32bU

SKU: A0.804977

Self Learning Series: Scales, Arpeggios & Chords of D major + Surprise Piece in D major is a useful technique practice tool that has note names and finger numbers which are accurate and being taught worldwide in exams and proper training courses. .

SKU: A0.731823

Classical, Celtic and jazz elements merge in this entertaining and inventive arrangement. Formidable and quite challenging, it is however an ideal concert item and suitable for a choral competition. The off-beat rhythms, along with the jazzy piano accompaniment, lend the song a more modern, contemporary style, making it interesting and satisfying to perform. The song is popular in Ireland and is often sung by students at summer courses in the Gaeltacht areas.

SKU: A0.1066608

This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now

SKU: A0.1316200

That All May be One was the prayer that Jesus offered in his last discourse in the upper room.  This is an anthem version of the choral song written for choir, assemble and cantors that can be found under the title All May Be One.  SATB parts are simple and easy to learn.  The anthem version here is intended for choir solo.

SKU: A0.546780

One of my neo-romantic compositions. A waltz in the key of E minor with a theme which is my tribute to the 19th century. The entire waltz, however, has a contemporary flavor. It has many complex rhythms, changes in meter or complementary dissonant and consonant courses. The perfect piece for sensitive souls who live their dreams and other dimensions.

SKU: A0.1066641

This song is about a drug awareness to stop these habits it is about that the addict is a addict not necessary a criminal he/she is ill on drugs and needs mercy grace to be helped to quite we should arrest those involved selling it and do not use they sell it big time and the addict who should be a patient and not a criminal gets sentience rather then them who sell it big time are the true criminals we should stop all bull. now the addict might sell a bit but it is only to supply there habit a dirty habit coursed by mobsters the big timers that most of these people do not even use they are a bunch of cowards who rob and kill the public with drugs all for money they are traitors to those in righteousness and innocent ones who most addicts where hooked as young as ever therefore most are innocent victims not criminals they may do crime but only because they got no choice but hooked to supply there habit OK

SKU: A0.1083197

An arrangement for a piano duet (four hands piano or 2 pianos) of The Medallion Calls (from Pirates Of The Caribbean). This version passes the melody in between the two different pianists so it is an ideal piece for chamber exams, such as the performance exams of the GCSE or A-Levels of the UK. It is also ideal for academic enviroments or coursework of duetos or chamber groups at conservatoire level.

SKU: A0.1426124

Reveille by Paul Burnell.

Composed 2002, with minor revisions to the score in 2023.

For instruments in six parts, reading treble clef.
Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on E

Duration 7:00 approx.

Score in C

The instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.

Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.

Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.
The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.

Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.

Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.

Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.