SKU: A0.655463

Schubert-Im Freien in B Op.80 No.3,for Vocal and Piano.

SKU: A0.653040

Schubert-Das Marienbild in D for Vocal and Piano.

SKU: A0.652026

Schubert-Abschied von einem Freunde in #C minor,for Vocal and Piano.

SKU: A0.657321

Schubert-Waldes-Nacht in bE for Vocal and Piano.

SKU: A0.653595

Schubert-Der Sänger am Felsen in F for Vocal and Piano.

SKU: A0.1241238

Here is an easy and beautiful arrengement for a cello and violin duet with piano accompaniment.

SKU: A0.657365

Schubert-Wehmut,Op.22 No.2 in #C minor,for Vocal and Piano.

SKU: A0.658086

Schumann-An Anna in Eâ™­ Major for Voice and Piano.

SKU: A0.652346

Schubert-An die Harmonie(Gesang an die Harmonie),D.394 in bB for Vocal and Piano.

SKU: A0.653444

Schubert-Der König inThule in e minor,Op.5 No.5,for Vocal and Piano.

SKU: A0.1337463

Three uplifting solos for oboe with Piano accompaniment

Compassion

 As the title suggests, this piece should be played with warmth the middle departure showing a little more anxiety before a return to the optimism of the opening theme. Apart from this, there is no formal structure. There should be a marked contrast between the flowing, lyrical passages of the opening section and the crisp staccato in the middle descending arpeggios. 

 Although the tempo indicates quickness, the feel should be one of animation rather than pace. The dynamic range is not great but should be accurately observed with clear contrasts. 

Mercy

 Much more of a duet for oboe and piano rather than a solo. This has a yearning, minor aspect with a contrasting few bars of a more comfortable major feel at the end of the middle section.

 The lively tempo should be driven through the whole piece with only a slight letup in the final two measures. Although written in waltz time, this is no dance being loaded with underlying energy and emotion. The dynamics remain fairly loud with only the expected variation in line with the phrasing.

Tenderness

 This piece, written in the middle to high register, has a simple structure being a stable melody with variations and ornaments. Where the piano accompaniment has the theme it should be allowed to show through. 

 As the title suggests this should be played with a gentle lilt but not over-sentimental. Aim for a warm to mellow texture with comforting sounds. There is a general but slight crescendo throughout the piece.