SKU: A0.1071181

Fritz (Friedrich) Seitz (12 June 1848, Günthersleben-Wechmar, Saxe-Coburg and Gotha – 22 May 1918) was a German Romantic Era composer. He was a violinist who served as a concertmaster, who wrote chamber music and eight student concertos for the violin. This is the 3rd movement from Pupil (Student) Concerto No.3 in G major for Violin and Piano arranged for Violin and String Orchestra. It is used in Suzuki Violin method , Volume 4 no. 1
This file is the Piano Accompainemnt file Orchestrated to string Orchestra , you can Practice with it at 66 BPM.

SKU: A0.1109873

This beautiful Scottish bagpipe melody was played by a lone piper at the funeral of Her Majesty Queen Elizabeth II. This arrangement is for Grade 3+ violinists in the key of Eb major/C minor. It's 32 bars long and all in first position. Basic ornaments, suitable for violinists help communicate the original style. Bowing and bar numbers included. Arranged by an experienced violin teacher/examiner.

SKU: A0.905826

This holiday favorite arranged for beginning violin with piano accompaniment will be a treat for your beginning violinists! It is written in the key of D and stays in first position so that your young violinists will be comfortable and sound great. The piano accompaniment fills out the sound and supports the melody while allowing the soloist to shine. Great for recitals or just for fun!

SKU: A0.948866

A new time signature freshens an old classic! Violinists will enjoy the lilting movement of 6/8 time in this arrangement of the classic hymn Jesus! What a Friend for Sinners. The piano and violin parts have been carefully woven together, delicately playing off of one another. By remaining in first position, this piece is attainable for a beginner and easy-to-learn for advanced violinists. This piece can also be played during the Christmas season as Come, Thou Long-Expected Jesus. Perfect for the church setting, recitals, and personal enjoyment. For more beautiful music, visit https://ashleyqurollo.com/

SKU: A0.861782

String Quartet No. 2 Bluegrass (Score – two vlns, vla, cel) MO170B

Violin 1 Part (score and parts available)

Music by Mark O’Connor

35 pages - 37:20 minutes in length

Movement I (9:38)

Movement II (8:23)

Movement III (9:22)

Movement IV (9:26)

String Quartet No. 2  As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2005

Composed By Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC Records

Recorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cello

https://omacrecords.com/omac-14-string-quartets-2-3

Catalogue Number MO170B

Copyright © 2005 by Mark O’Connor Music International

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com