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Recorder - Level 3 - Digital Download

SKU: A0.1460212

Composed by Giovanni Gentile. Arranged by John Geohegan. Baroque,Instructional. Recorder Ensemble. 50 pages. JGJG Sheet Music LLC #1039146. Published by JGJG Sheet Music LLC (A0.1460212).

Three duets composed for teaching and practice.  
Published in 1642 by Roman music teacher Giovanni Gentile.  
Each duet is adapted for both AA and TT recorders.  
Complete score and parts for both versions.  
Also playable on SS and BB.  

Imitative counterpoint with varied rhythms.  
Easy key signatures (C and F), few accidentals, and no ornaments.  
About 50 measures long and 2 minutes in duration.  

Play with your teacher or student, or practice with your duet partner.  
Choose a comfortable tempo!

Three Teaching Duets for AA and TT Recorders

$6.00 5.67 € PDF SheetMusicPlus

Recorder - Level 3 - Digital Download

SKU: A0.1403364

Composed by Anonymous. Arranged by John Geohegan. Baroque. Recorder Ensemble. 87 pages. JGJG Sheet Music LLC #986569. Published by JGJG Sheet Music LLC (A0.1403364).

Five songs for two Soprano, two Alto, or two Tenor recorders; published 1644.  
Varied instrumental duets written for amateur musicians.  Anonymous composers.  
PLAYABLE SCORES and individual parts for SS / TT duets, AND for AA duets. 
Second duet is based on Dowlandâ??s Come Again. 
Two solo variations on this tune by Jacob van Eyck are included.  
Audio preview file has song start times of 0:00 / 2:14 / 3:40 / 4:48 / 6:16  

File includes scores, parts, and an easy-to-print set of scores (only).  
Choose instruments, choose scores or parts, and print the pages you need!

Five Dutch Baroque Duets for SS, AA, or TT Recorders
2 Recorders (duet)

$8.00 7.56 € 2 Recorders (duet) PDF SheetMusicPlus

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 5 - Digital Download

SKU: A0.1497624

By Austin Ralphson. By Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Wedding. 29 pages. Austin Ralphson #1074039. Published by Austin Ralphson (A0.1497624).

Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as a vocal duet with piano accompaniment and is a firm favourite to sing at any performance, from weddings to recitals to parties and beyond!

This piece can either be sung with a live pianist, or can be sung along with the free backing track which is available from
https://youtu.be/BKowEdheoSo 

This piece is suitable for SS, SA, ST, TT or TA duet, and is also provided in 3 different keys to allow for range variations: C# minor, B minor and A minor.

Vocalise (Rachmaninoff) - vocal duet and piano with FREE BACKING TRACK SS SA ST TT TA Vocal duet, Piano
Austin Ralphson
$5.99 5.66 € Vocal duet, Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1250083

By Helga Ragnars and Knut Rygnestad. By GuĂ°finna JĂłnsdĂłttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 6 pages. Knut Olav Rygnestad #844480. Published by Knut Olav Rygnestad (A0.1250083).

FjalliĂ° blátt (The Blue Mountain) is about wanting to travel towards a beautiful blue mountain in the distance, which turns out to not be as brilliant as imagined when one gets there. The narrator finds that, by travelling to towards the mountain, they now carry its beauty inside them.

GuĂ°finna JĂłnsdĂłttir (1899–1946) from Hömrum was an organist and poet who lived a quiet and isolated life in Northern Iceland. She wrote beautiful poems about her life, filled with with tragedies, death and unrequited love. In her own time her work wasn't well known outside of her hometown, and today she is more or less forgotten.

In collaboration with the singer Helga RagnarsdĂłttir, the composer Knut Rygnestad has set several of her poems to music for voice and piano, with the aim of making them better known in Iceland and throughout the world. The project received funding from the Norwegian Arts Council and Hljóðritasjóður RannĂ­s, and an album of nine recorded songs, Ótal stjarna hröp, was released in 2023.

Fjallið blátt
Piano, Voice
Helga Ragnars and Knut Rygnestad
$4.00 3.78 € Piano, Voice PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1431316

By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316).

An arrangement of the Faroese National Anthem for Piano.

Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarđi, and the melody was composed in 1907 by violinist Petur Alberg.

The song was written in a work dated 1 February 1906 by Símun av Skarđi, the headmaster of a high school in Fűgruliđ, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.

Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Lűgting to Símun av Skarđi, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.

On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Fűroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.

In 1925, a Nynorsk translation of the song by Rolf Hjort Schűgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jűrgensen was published in Hűjskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Fűroyaheftiđ (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Fűroya, established in 1957, played it every night before ending its broadcast for the evening.

Faroese National Anthem for Piano
Piano solo
Keith Terrett
$4.99 4.72 € Piano solo PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download

SKU: A0.1068891

By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrÀdderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & UnderhÄllningsskrÀdderiet AB (A0.1068891).

NĂ„got hĂ€pnadsvĂ€ckande har hĂ€nt i den svenska dragspelsvĂ€rlden de senaste Ă„ren, vi har fĂ„tt en ny idol. Det Ă€r hĂ€pnadsvĂ€ckande pĂ„ tvĂ„ olika sĂ€tt: för oss som kan dragspelsvĂ€rlden Ă€r det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 Ă„r, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 Ă„r tillbaka i dragspelsmusikens historia. Man kan sĂ€ga att Lars Ek, idag 35 Ă„r, borde ha varit 85 Ă„r, verksam pĂ„ 30-talet. SjĂ€lv erkĂ€nner han att han kĂ€nner en slags hemlig lĂ€ngtan tillbaka till en tid dĂ„ dragspelare var ekvilibrister, dĂ„ dragspelare spelade pĂ„ ett briljant sĂ€tt, den guldĂ„lder det var för all dragspelsmusik över hela vĂ€rlden, en tid som vi aldrig kommer att möta igen. Det Ă€r en typ av musik som Ă€r historisk men som inte hör hemma pĂ„ museerna, inte död, det Ă€r en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det Ă€r en ganska anmĂ€rkningsvĂ€rd situation. Lars Ek har spelat dragspel lĂ€nge, han har spelat all typ av musik som kan spelas pĂ„ dragspel. För bara nĂ„gra Ă„r sedan kom han i kontakt med Nils Lind och Ragge Sundquist (tvĂ„ legendariska svenska artister frĂ„n 30- och 40-talen, bĂ„da döda sedan lĂ€nge – de grundade bĂ„da en skola och en stil) och naturligtvis ocksĂ„ Frosini. Och dĂ„, Ă€ntligen, kĂ€nde Lars Ek att det var just hĂ€r, i den hĂ€r stilen, som han hörde hemma. Lars Ek kom Ă€ntligen hem. En del slarviga lyssnare sĂ€ger att Lars Ek kopierar Nils Linds musik. Det Ă€r lyssnare som inte lyssnar. Andra sĂ€ger att Lars Ă€r en galning - han spelar pĂ„ ett dragspel av mĂ€rket Raggie Sundquist frĂ„n 1937 och sedan ett par Ă„r Ă€ger och spelar han ocksĂ„ pĂ„ ett dragspel som en gĂ„ng Ă€gdes av Pietro Frosini, tillverkat 1927. Det Ă€r inte mani. Stilen efterfrĂ„gar sĂ„dana instrument. Det Ă€r mest korrekt pĂ„ det sĂ€ttet. Lars Ek har blivit otroligt populĂ€r. Det finns mĂ„nga anledningar. Han har massor av personlighet, han Ă€r en scenpersonlighet, han visar entusiasm och glĂ€dje nĂ€r han upptrĂ€der, han vet hur man lockar en publik (och tjejerna sĂ€ger att han Ă€r vĂ€ldigt snygg). En annan anledning Ă€r att musiken som Lars framför fĂ„r mycket respons frĂ„n publiken. Och snĂ€lla, tro inte att det bara Ă€r de gamla som var med pĂ„ 30-talet som Ă€lskar musiken - det gör Ă€ven de unga! Lars Ek x 2 heter skivan. Förklaringen Ă€r enkel. Lars kunde inte hitta nĂ„gon andra dragspelare som kunde hjĂ€lpa honom. SĂ„ tack vare tekniken Ă€r han sjĂ€lv sin egen andra dragspelare i fem av de lĂ„tar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar ocksĂ„ fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor sĂ€ljer Ă€ndĂ„. Men du kommer att fĂ„ nĂ„gra sista ord. Den hĂ€r skivan Ă€r, stilmĂ€ssigt, vĂ€ldigt sĂ€llsynt att vara inspelad 1982, det gĂ€ller att blicka bakĂ„t och att göra det med stor skicklighet, en tillbakablick pĂ„ dragspelets guldĂ„lder. Det Ă€r ocksĂ„ en vĂ€ldigt personlig skiva. InspirationskĂ€llan kan mycket vĂ€l vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det Ă€r Lars Ek som spelar. PĂ„ sitt personliga sĂ€tt. Vilket gör att detta Ă€r en skiva som spelas pĂ„ ett vĂ€ldigt personligt sĂ€tt.

A MALVA ROSE
Lars Ek
$1.99 1.88 € PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download

SKU: A0.1217036

Composed by Eduard Schutt. Arranged by Zellev. 19th Century,Children,Classical,Contemporary,Wedding. Score. 3 pages. Zellev Music #813567. Published by Zellev Music (A0.1217036).

SchĂŒtt was a russian (-austrian) composer, pianist and conductor (1856-1933). His father was a skilled cellist, and the family was acquainted with the pianist Anton Rubinstein. At the age of sixteen, SchĂŒtt decided to pursue an artistic career, against the opposition of his father. Rubinstein's influence ultimately convinced SchĂŒtt's father to let him pursue his artistic aspirations. SchĂŒtt graduated from the St. Petersburg Conservatory in 1875 with distinction.

Around 1882, he composed and premiered his first piano concerto, Op. 7, in several major European cities. From 26 January 1881 to 20 October 1887, he was conductor of the Wiener akademischer Wagner-Verein (Vienna Academic Wagner Society).
In 1887, he declined an invitation from Cosima Wagner to become the music director for the Bayreuth Festival. Thereafter, he devoted himself fully to composition and spent a considerable amount of his time at his villa in Meran, which he called Mon Repos (My Peace in French).
His primary residence, however, remained in Vienna, where he also did a limited amount of teaching.

The set was published in 1903.

Feuillet d'album
Piano solo

$4.00 3.78 € Piano solo PDF SheetMusicPlus

Recorder - Level 2 - Digital Download

SKU: A0.831376

Composed by Traditional. Arranged by James Grush. Folk. Recorder Ensemble. 25 pages. JGJG Sheet Music LLC #3428131. Published by JGJG Sheet Music LLC (A0.831376).

Six popular traditional American melodies arranged for SA, ST, AT, and TT recorder duets.
Score plus individual parts for each piece.

Skip To My Lou (ST)
Down in the Valley (AT)
Home on the Range (SA)
On Top of Old Smoky (AT)
Sweet Betsy From Pike (TT)
I’ve Been Working on the Railroad (AT)

These lively and unique arrangements can be played from easy-to-read scores or from individual parts. They are ideal for lessons and small groups, and audiences enjoy playing Name That Tune with these popular melodies.

Six Traditional American Songs for Recorder Duet
2 Recorders (duet)

$12.00 11.34 € 2 Recorders (duet) PDF SheetMusicPlus


1 16 31 ....61




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