SKU: A0.935385

One Hour to Madness for percussion septet.                            by Dan Heslink

From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half.

 Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument.

 The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.

SKU: A0.1008713

That is Suite for clarinet Solo Evolution of my quarantine madness , which was written during the Pandemic. 
This composition describe my feeling durinh the pandemic, quaratine.  


https://notabenerecords.streamlink.to/Madness.

SKU: A0.1010668

Descent to Madness is a work written to feature flute accompanied by prepared piano, marimba, and assorted percussion that was composed by on commission from a colleague, Emily Keeling, for a capstone recital. This piece explores and pushes musical confines, clearly innovating preconceived boundaries for piano and flute alike. The opening melody is written in a more classical style with some twists that foreshadow the rest of the piece. The piano part descends with the flute as if the flute is descending and dragging the pianist down with it. The flute solo adds more complexity and extended techniques as the piece progresses, further simulating more folly as the flutist departs from classical styles of playing and descends into a state of compositional madness. The end is the acceptance of having descended and, in the end, acceptance of a new beginning.

SKU: A0.1200998

Sound Of Madness - Shinedown - Drum Transcript.