Composed by Benjamin Britten (1913-1976) and Sally Beamish (1956-). Arranged by John Ivor Holland. 21st Century, Classical, Contemporary. 255 pages. John Ivor Holland #853280. Published by John Ivor Holland

Brass Ensemble,Brass Quintet - Level 4 - Digital Download SKU: A0.724984 By Parry Library. By Henry Pd Purcell. Arranged by Volker Coutandin. Baroque. Score and parts. 4 pages. Volker Coutandin #333311. Published by Volker Coutandin (A0.724984). This Rondo by Purcell is also known as the beginning of Benjamin Brittens The Young Person´s Guide To The Orchestra.

Piano Solo - Level 1 - Digital Download SKU: A0.1447061 By Benjamin Britten. By Benjamin Britten. Arranged by Joanna Vasanth. Children. Score. 2 pages. Joanna Vasanth #1026834. Published by Joanna Vasanth (A0.1447061).

Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1294106 By CHOIR. By Benjamin Britten (PRS). Arranged by Christopher Saranec. 20th Century,Advent,Christmas,Praise & Worship,Sacred. 6 pages. Old Pro Music Publishing (ASCAP) #884529. Published by Old Pro Music Publishing (ASCAP) (A0.1294106). TTBB Choir with keyboard version of Britten's No. 2 installment from A Ceremony of Carols.

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8606-E Composed by Joshua Fishbein. 12 pages. E. C. Schirmer Music Company - Digital #8606-E. Published by E. C. Schirmer Music Company - Digital (MQ.8606-E). English.The composer has crafted a very literal musical interpretation of this text by Benjamin Britten. For instance, the word “minor� is set in pulsating minor triads. Also, the initials “E. B.� are sung on the pitches E and B. This composition shares similarities with music one might hear performed by a cappella groups on college campuses, such as humming and singing on neutral vowels like “Oh� and “Ah.� Elements of this piece also resemble 20th Century English choral music by William Walton and Ralph Vaughan Williams, in addition to Britten himself. Examples include abruptly distant harmonic changes, shocking cross-relations, and slow triplets that match the rhythm of the English language. Overall, A Prep-School Boy is very much in the spirit of the composer that it honors. Duration: 5:00.

Choral Choir (SA) - Level 4 - Digital Download SKU: A0.856147 Composed by Trad. Arranged by Liz Garnett. A Cappella,Contemporary,Folk. Octavo. 4 pages. Liz Garnett #3417457. Published by Liz Garnett (A0.856147). I have loved this folk song since I sang Benjamin Britten's arrangement of it for solo voice and piano in my teens. This four-part a cappella arrangement has a lilt that those who know Britten's version will find familiar, but ranges more widely harmonically, moving into a variety of different keys as it passes the melody from lead to bass and finally to tenor.It increasingly explores both diatonic dissonance and chromatic harmonies as the emotional narrative becomes more troubled, evoking the poignancy of the lyric in both the shape of the lines and the way they rub up against each other.Vocal ranges:Tenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4It is notated on two staves, treble and bass alta (i.e. bass clef sounding up an octave)

Arranged by Benjamin Britten. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.259831). - - Classical - Hal Leonard - Digital Sheet Music

Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., tamb, 4templeblck, 2 anvils, whip)-2hp.cel-str(12.10.8.6.6 min) orchestra - Digital Download SKU: S9.Q45639 For orchestra. Composed by Matthew Locke and Ryan Wigglesworth. Arranged by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q45639. Published by Schott Music - Digital (S9.Q45639). Locke’s Theatre, an orchestral work in three short movements, takes as its departure point incidental music written for Shakespeare’s The Tempest by the seventeenth-century English composer Matthew Locke. Aspects of Locke’s idiosyncratic and daringly advanced harmonic and rhythmic language were to be adopted (some might say perfected) by his younger friend and protégé Henry Purcell. But it is the very rawness and directness of Locke’s theatre music that I wished to acknowledge and emulate. In each of my work's three movements – entitled respectively ‘The First Music’, ‘Rustic Music’, and ‘Curtain Music (with Storm)’ – the baroque originals, though very often submerged, remain a constant, shadowy presence. Locke’s Theatre was commissioned by the Aldeburgh Festival to mark the centenary of Benjamin Britten’s birth. Ryan Wigglesworth.