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2 flutes and piano - intermediate to advanced - Digital Download SKU: S9.Q764901 For 2 flutes and piano. Downloadable, Score and parts. Musikverlag Zimmermann - Digital #Q764901. Published by Musikverlag Zimmermann - Digital (S9.Q764901). Throughout music history, the repertoire of music for two flutes has been vast. In this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions, but which can also be played in lessons and at school concerts. The selection ranges from Johann Sebastian Bach to Mendelssohn Bartholdy to the contemporary Robert Delanoff.Throughout music history, the repertoire of music for two flutes has been vast. In this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions.
Encore and more

$18.99 16.22 € PDF SheetMusicPlus

Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina Urchueguía have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
Tannhäuser und der Sängerkrieg auf Wartburg

$53.99 46.12 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia” (To marry) is based on the six sones from “Los Chapetones” (a folkloric dance from Panchimalco, El Salvador). “Los Chapetones” is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez  (cultural researcher),  Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco” in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celarié”. The editors of the “Diccionario de la Música Española e Hispanoamericana” (Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones” something exclusive from El Salvador.  For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
Munamiktia - Score Only
Orchestra

$99.99 85.42 € Orchestra PDF SheetMusicPlus

Treble recorder and piano - intermediate - Digital Download SKU: S9.Q47492 14 Divisions. Composed by Anonymous. Arranged by Yeo Yat-Soon. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q47492. Published by Schott Music - Digital (S9.Q47492). German • English • French.Greensleeves to a Ground is taken from John Walsh's two-part publication, The Division Flute, of 1706. Includes pedagogical tips from editors Kathryn Bennetts and Peter Bowman. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
Greensleeves to a Ground
Treble (Alto) Recorder, Piano

$10.99 9.39 € Treble (Alto) Recorder, Piano PDF SheetMusicPlus

B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four” Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing” first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.”Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.” — 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king” at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today” (published as “Hymn for Easter-Day” in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani

$25.00 21.36 € PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
5 Scale Forms for Guitar
Guitar notes and tablatures

$1.99 1.7 € Guitar notes and tablatures PDF SheetMusicPlus

Violin and guitar - advanced - Digital Download SKU: S9.Q54440 Composed by Mauro Giuliani. Arranged by Kolja Lessing and Volker Hoeh. This edition: Sheet music. Chamber Music. Downloadable. Op. 25. Duration 25 minutes. Musikverlag Zimmermann - Digital #Q54440. Published by Musikverlag Zimmermann - Digital (S9.Q54440). Key: E minor. German • English • French.At the beginning of the 19th century, music at home was in full blossom and the guitar a very popular instrument. Contrary to the short, zither-like note of early pianos, the guitar had a singing, resonant sound. Thus, many chamber works with guitar originated in this era. Grand Duo concertant had already been published at Zimmermann, Leipzig in a reduced and abridged version by Heinrich Albert. The editors of this issue now offer a complete and carefully revised edition of Giulianis op. 25 based on the original print (cf. the version for flute and piano published by Zimmermann with the number ZZM 25950).
Duo Concertant E minor
Violin, Guitar (duet)

$23.99 20.49 € Violin, Guitar (duet) PDF SheetMusicPlus


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