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Henri Dutilleux : Sonatine pour flûte et piano - I. Allegretto Piano solo
Téléchargez la partition Piano Sonatine pour flûte et piano - I. Alleg…
4.99 € Piano solo PDF Tomplay

Henri Dutilleux : Sonatine pour flûte et piano - III. Animé Piano solo
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5.99 € Piano solo PDF Tomplay

Henri Dutilleux : Sonatine pour flûte et piano - II. Andante Piano solo
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5.99 € Piano solo PDF Tomplay

Henri Dutilleux : Sonatine pour flûte et piano - I. Allegretto Flute
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4.99 € Flute PDF Tomplay

Henri Dutilleux : Sonatine pour flûte et piano - II. Andante Flute
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5.99 € Flute PDF Tomplay

Henri Dutilleux : Sonatine pour flûte et piano - III. Animé Flute
Téléchargez la partition Flûte Sonatine pour flûte et piano - II…
5.99 € Flute PDF Tomplay

2 (1. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 · 2 · 2 · 1 - P. S. (Glsp. · Marimba · Crot. · 2 hg. Beck. · Tamt. · 3 Bong.) (2 Spieler) - Hfe. - Str. violin and orchestra - Digital Download

SKU: S9.Q6297

Nocturne for Violin and Orchestra. Composed by Henri Dutilleux. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q6297. Published by Schott Music - Digital (S9.Q6297).

Sur le même accord (about a single chord) is - as the subtitle suggests - a nocturne-like work. Although in one mouvement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colours transform this chord, but it is omnipresent, an obsession. This relatively short work is dedicated to Anne-Sophie Mutter, to whom I was introduced by Paul Sacher about fifteen years ago. Since then, this great artist, who captivates so many composers, has unceasingly added to her repertoire music of our time by commissioning new works in many genres from contemporary composers. - Henry Dutilleux.

Sur le même accord

$33.99 32.18 € PDF SheetMusicPlus

Orchestra - Digital Download

SKU: S9.Q23927

5 Episodes. Composed by Henri Dutilleux. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 22 minutes. Schott Music - Digital #Q23927. Published by Schott Music - Digital (S9.Q23927).

4 (3. u. 4. auch Picc.) * 3 * Engl. Hr. * Es-Klar. * 2 * Bassklar. * 3 * Kfg. - 4 * 4 * 3 * 1 - P. S. (Glsp. * Vibr. * Marimba * Trgl. * 2 hg. Beck. * Crot. * chin. Gong [h.] * 2 Tamt. [m./t.] * 3 Tomt. [h./m./t.] * kl. Tr. * Wood Chimes * Tempelbl. * Peitsche) (3 Spieler) - Hfe. * Cel. - Str.

4 (3. u. 4. auch Picc.) · 3 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 3 · Kfg. - 4 · 4 · 3 · 1 - P. S. (Glsp. · Vibr. · Marimba · Trgl. · 2 hg. Beck. · Crot. · chin. Gong [h.] · 2 Tamt. [m./t.] · 3 Tomt. [h./m./t.] · kl. Tr. · Wood Chimes · Tempelbl. · Peitsche) (3 Spieler) - Hfe. · Cel. - Str.

The Shadows of Time
Orchestra

$55.99 53.01 € Orchestra PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download

SKU: A0.533397

Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397).

A sonata in three movements for flute and piano:

I. Ephémère
II. La lune s'éteignit
III. Miroirs 

The sonata lasts aproximately 13 minutes.

Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.

At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.

She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.

After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.

Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.

Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...



Thérèse Brenet: Sonata for flute and piano
Flute and Piano

$16.95 16.05 € Flute and Piano PDF SheetMusicPlus






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