Guitar Tab, Guitar ensemble (quartet with optional bass) - Intermediate - Digital Download By Rod Stewart (Composed by Gavin Sutherland). Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 35 pages. Published by danjonesguitarist.com

Piano, voice and guitar (chords only) - Interactive Download

SKU: HX.1988

By Babes In Arms (Musical), Benny Goodman, Dion and The Belmonts, Frank Sinatra, Lena Horne, Rod Stewart, and Rodgers and Hart. This edition: Interactive Download. Broadway,Jazz,Love,Musical/Show,Standards. Score. 4 pages. Published by Hal Leonard - Digital (HX.1988).

Piano Solo - Level 5 - Digital Download

SKU: A0.1198287

By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #797475. Published by Timothy Stapay (A0.1198287).

Blue Moon is arranged as played by famous piano artist, Liberace.  This piano solo arrangement has all of the runs and ornamentations; just as performed by this legendary pianist.

Blue Moon is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad.  Blue Moon became an international number-one hit for the doo-wop group the Marcels, on the Billboard 100 chart and in the UK Singles Chart, and later that same year, an instrumental version by the Ventures charted at No. 54. Over the years, Blue Moon has been covered by many artists, including versions by Frank Sinatra, Jo Stafford, Ella Fitzgerald, Elvis Presley, Bobby Vinton, Sam Cooke, the Platters, Liberace, Dean Martin, Yvonne De Carlo, the Supremes, Cyndi Lauper, New Edition, Bob Dylan, Chromatics, and Rod Stewart.  See Lyrics below:

Blue moon, you saw me standin' alone
Without a dream in my heart, without a love of my own
Blue moon, you knew just what I was there for
You heard me sayin' a prayer for
Someone I really could care for

And then there suddenly appeared before me
The only one my arms will hold
I heard somebody whisper please adore me
And when I looked, the moon had turned to gold
Blue moon, now I'm no longer alone
Without a dream in my heart
Without a love of my own

And then there suddenly appeared before me
The only one my arms will ever hold
I heard somebody whisper please adore me
And when I looked, the moon had turned to gold

Blue moon, now I'm no longer alone
Without a dream in my heart
Without a love of my own

Blue moon, now I'm no longer alone
Without a dream in my heart
Without a love of my own

Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1512614

By Shirley Horn. By Lorenz Hart and Richard Rodgers. Arranged by Douglas R Morrison. Film/TV,Pop,Standards. 13 pages. Douglas R. Morrison #1087594. Published by Douglas R. Morrison (A0.1512614).

A Rivendell String Quartet Arrangement - The Pop Standards Series

Rodgers & Hart's popular ballad Isn't It Romantic? was first introduced in the 1932 Paramount film Love Me Tonight; its 32 bar chorus in A - B - A - C  form prompted writer Alec Wilder to call it a perfect song.

An essential member of the Great American Songbook, Isn't It Romantic? has been recorded by Vic Damone and Patti Page, Chet Baker, Mel Torme, Ella Fitzgerald, Carmen McRae, Shirley Horn, George Shearing, Jack Jones, Tony Bennett, Rod Stewart, Johnny Mathis, and Diana Krall.

It's a perfect selection for receptions and parties!

Like us on Facebook:  www.facebook.com/rivendellarrangements.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1287350

By Rod Stewart. By Cat Stevens. Arranged by Spencer Bundy. 20th Century,Pop. 10 pages. Spencer Bundy #878367. Published by Spencer Bundy (A0.1287350).

Although the song had been written earlier, it wasn't until 1967 and the release of his second album, 'New Masters', we got to hear the composers version of this much loved song. Rod Stewarts cover followed ten years later and Sheryl Crows was later still, 2003.

Flute Duet Flute - Digital Download

SKU: A0.952685

Composed by Robert Stewart. 20th Century. Score. 14 pages. American Composers Alliance Inc. #4614193. Published by American Composers Alliance Inc. (A0.952685).

Three works for two flutes - PDF includes performance score.

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1273084

By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084).

An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.

New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.�

The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session� the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam� Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.

“C Jam Blues� was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.

Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues� was one of his nightly features with Satch’s ensemble along with “Tea for Two.� Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.

In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,� etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,� featuring Louis on the vocal, with Ellington in 1961.

The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.

The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

C Instrument - Level 4 - Digital Download

SKU: A0.499537

By Betty Smith Group. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112851. Published by John Fries (A0.499537).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Bewitched, Bothered and Bewildered is a show tune and popular song from the 1940 Rodgers and Hart musical Pal Joey. It is part of the Great American Songbook. In 2003 the song was released as a duet by Rod Stewart and Cher. The song also became a moderate hit on the Adult Contemporary chart in the United States, peaking at number 17.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.1357654

By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Rita Arendz. 20th Century,Contemporary,Film/TV,Jazz. Brass Band. 38 pages. Rita Arendz #942192. Published by Rita Arendz (A0.1357654).

This 1934 Jazz Standard has a storied beginning when Rodgers and Hart were asked by Metro-Goldwyn-Mayer to write songs for the film Hollywood Party.  The lyrics were reworked many times, ending up with this more romantic version, which was used as the theme to the radio program Hollywood Hotel.  It became a staple for movie soundtracks and cabaret shows.
It has had many covers since then, including Glen Gray and the Casa Loma Orchestra, Connee Boswell, Elvis Presley, The Marcels, Billy Holiday, Mel Torme, Frank Sinatra, Rod Stewart, and even Eric Clapton, to name a few.
This arrangement for Brass Band presents the heartwarming love tale with a nostalgic feel.  The Horns lead the way, with some solo opportunities for the Euphonium, Solo Cornet, Soprano Cornet, and Solo Trombone.
This is a great crowd pleasure and sure to be a hit for concerts!
Duration ~3:15   38 pages.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1200146

By Betty Smith Group. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #798951. Published by John Fries (A0.1200146).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Bewitched, Bothered and Bewildered is a show tune and popular song from the 1940 Rodgers and Hart musical Pal Joey. It is part of the Great American Songbook. In 2003 the song was released as a duet by Rod Stewart and Cher. The song also became a moderate hit on the Adult Contemporary chart in the United States, peaking at number 17.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.1288430

Composed by Edward Elgar. Arranged by Stewart Lewins. Classical. Brass Band. 25 pages. Melyn Music #879419. Published by Melyn Music (A0.1288430).

From Edward Elgar's famous piece Variations on an Enigma, Nimrod is the 9th variation and has become popular in its own right.  It is often played at solemn occasions and is always played at the Remembrance service at the Cenotaph in London.

Stewart Lewins has skilfully re-scored Nimrod for brass band.