Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan MarĂa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505). Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to BelĂ©n Rouco. Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6 Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan MarĂa Solare. The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move. The expression 'Pasajera eterna' was invented by the dedicatee of this work, BelĂ©n Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', BelĂ©n signs and publishes her writings, poems and reflections. Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic. World Premiere: by Juan MarĂa Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan MarĂa Solare on 25/APR/2014 at the Legislatura Porteña (cycle MĂşsica Clásica Argentina), Buenos Aires. British premiere: by Juan MarĂa Solare on 23/MAY/2014 at the BolĂvar Hall in London (recital Tango Bar). There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).
