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Franz Ferdinand : Take Me Out (niveau intermédiaire, guitare électrique 1)
Guitar
Téléchargez la tablature et la partition Guitare Take Me Out (niveau interm&…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866288 Composed by Geoffrey Cottrell. Children,Christian,Christmas,Contemporary,Sacred. Octavo. 18 pages. Geoffrey Cottrell #5881. Published by Geoffrey Cottrell (A0.866288). This traditional carol is normally known set to the tune of 'Greensleeves'. But here is a new, catchy and effective setting, intended for performance by a medium to large amateur SATB chorus with organ. There is an optional innocent-sounding part for a children's chorus, but if this is not available, the part an be sung by a group of sopranos (A). Starting quietly over a repeating ground-like organ figure, the question of the title is asked by a solitary line of high voices and then answered in harmony by the chorus. The texture gradually enriches and the intensity builds. The final verse features a descant part, ending the carol with a rousing climax! This carol works very effectively in a Christmas carol concert or church service.
What child is this?
Choral SATB

$3.99 3.45 € Choral SATB PDF SheetMusicPlus

Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
Sonata for Violin & Harpsichord in D minor (VB 157)

$30.00 25.96 € PDF SheetMusicPlus

Mixed choir a cappella - advanced - Digital Download SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 16 minutes. Schott Music - Digital #Q6889. Published by Schott Music - Digital (S9.Q6889). Latin.Herrmann Schroeder (1904-1984), one of the most important church music composers of the 20th century, wrote this Latin mass in 1961, i.e. at the beginning of the Second Vatican Council. The Council marked a turning point in the field of church music: Masses in the respective native languages gained more and more acceptance, Gregorian chant faded into the background, stylistic features of popular music were also taken up in church music. Today, about 50 years after the beginning of the Council, one can see a return to Gregorian chant and polyphonic vocal music, and this is why even works such as Schroeder's Latin Missa melismatica arouse great interest again. The work takes the free intonation of the Gregorian chant as a starting-point and is enriched with wide-spun melodic arcs in elaborate polyphony, according to Schroeder's opinion that Gregorian chant and polyphony are particularly suitable for giving expression to the mysticism and irrationality of religious faith in the liturgy. A demanding work for good choirs, duration ca. 16 minutes.
Missa melismatica
Choral SATB

$6.99 6.05 € Choral SATB PDF SheetMusicPlus






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