SKU: A0.885300

Postlude on Sine Nomine was originally improvised by Ethan Haman at Yale University's Woolsey Hall as the postlude for Marquand Chapel services in honor of All Saints' Day, November 1, 2020. Haman has now used the original recording to reconstruct and revise the improvisation into a fully developed composition so that others can enjoy playing this joyful piece. Works perfectly especially for funerals or All Saints' Day services, paired with congregational singing of the well known hymn tune by Ralph Vaughan Williams, Sine Nomine, usually sung to the text For All The Saints. Also suitable as an organ recital piece. Duration approximately 5 minutes. For a video of the composer playing this piece, see YouTube link: https://youtu.be/tZQNBw_wkjs.

SKU: JX.00-20972

English. Job 3:17-19, Psalm 37:1-8, Matthew 11:28-30, Revelation 14:12-13.

An inspired pairing of two nineteenth century gospel hymns, Softly and Tenderly Jesus Is Calling and Jesus Is Tenderly Calling Me Home. Appropriate for performance throughout the church year, it may be especially appropriate for All Saints, Ash Wednesday, funerals and Lent.

SKU: C6.834138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.811138

6.75 x 10.5 inches.

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.831138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.832138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.841138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.846138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.821138

8.5 x 11.0 inches.

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.836138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: C6.833138

Terry W. York has written a significant text affirming that the Christ of the past is the same Christ who calls us now. David Schwoebel’s confident and musical melody propels the piece forward. The hymn, How Firm a Foundation is incorporated, allowing for optional congregational participation. A tender middle section includes some a cappella singing with lush harmonies, and the confident original melody returns with fresh resolve. The piece ends dramatically with a high moment of praise. Available separately: Score and parts for Handbells (3-5 octaves) and Organ.

SKU: MQ.10-560-5E

This collection of stirring postludes is based upon well-known hymns. Callahan's compositional flair is apparent in all six of these postludes.

Includes:
Ye Holy Angels Bright
DARWALL'S 148TH

O Day of Peace
JERUSALEM

God, Whose Giving Knows No Ending
RUSTINGTON

For All the Saints
SINE NOMINE

O God, Our Help in Ages Past
ST. ANNE

The Head That Once Was Crowned with Thorns
ST. MAGNUS.

SKU: C7.CGA1141

UPC: 749193013496.

Stirring and energetic throughout, this medley intricately combines three hymns of praise with Alleluia refrains: the majestic LASST UNS ERFREUEN (All Creatures of Our God and King and Praise God from Whom All Blessings Flow) and the processional-like SINE NOMINE (For All the Saints). Ringers will be busy with numerous bell techniques: pluck, mart, ring touch, mart lift, and shake. Reproducible parts for B-flat and C treble instrument are included in the full score.