Composed by Antoinette Choate. Symbols, Tobacco, Vice, Temperance. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23661). - - - Johns Hopkins University Sheridan Libraries

Piano,Vocal,Voice - Digital Download SKU: A0.1022876 Composed by Andy Fitzpatrick, Seán A. McDermott. Arranged by Andy Fitzpatrick. Country,Pop,Rock. Score. 5 pages. Aindriu Mac Giolla Padraig #3504447. Published by Aindriu Mac Giolla Padraig (A0.1022876). From the album Antoinette Plaza by Andy Fitzpatrick arranged for piano/vocal/guitar. With vocal melody, lyrics, piano accompaniment, chord names and guitar chord diagrams.

Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Century. Score and parts. 30 pages. Graham Boag #6474497. Published by Graham Boag (A0.780114). The Lost Chord is a song composed by Arthur Sullivan in 1877at the bedside of his brother Fred during Fred's last illness.The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,published in 1858 in The English Woman's Journal.The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,and with British contralto Clara Butt.Sullivan was proud of the song and later noted:I have composed much music since then,but have never written a second Lost Chord.Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victimsof the Titanic disaster.The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.Alternative Treble Clef parts included

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38 pages. KVAMusic Edition #4717677. Published by KVAMusic Edition (A0.768508). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so Charpen­tier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent.  While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.

Brass Quintet Euphonium,Flugelhorn,Tuba - Level 3 - Digital Download SKU: A0.1405397 By Various Artists. By Andreas Romdhane and Josef Larossi. Arranged by Peet du Toit. Classical. 10 pages. Peet du Toit #988451. Published by Peet du Toit (A0.1405397). The Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart.The second movement was featured in the 1967 Swedish film Elvira Madigan with Géza Anda as soloist. As a result, the piece has become widely known as the Elvira Madigan concertoHedvig Antoinette Isabella Eleonore Jensen (December 4, 1867 – July 19, 1889), better known by her stage name Elvira Madigan, was a circus performer who performed as a slack rope dancer, artistic rider, juggler and dancer. She is best known today for her romantic relationship with the Swedish nobleman and cavalry officer Sixten Sparre. Their joint death caused great sensation and the event was described in song by, among others, the author Johan Lindström Saxon [sv] in a song beginning Sad things happen, which gained great popularity.Here's a very unlikely arrangement of it for Brass Quintet, with the Horn as soloist. The other brass instruments are also conical, providing a mellow sound. I must emphasize that it would be best not to perform this piece if the intonation, correct notes, ensemble playing, and overall musicality are lacking.

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877  at the bedside of his brother Fred during Fred's last illness.  The manuscript is dated 13 January 1877; Fred Sullivan died five days later.  The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,  published in 1858 in The English Woman's Journal.   The song was immediately successful and became particularly associated with  American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,  and with British contralto Clara Butt.   Sullivan was proud of the song and later noted:  I have composed much music since then,  but have never written a second Lost Chord.  Many singers have recorded the song, including Enrico Caruso, who sang it at the  Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims  of the Titanic disaster.   The piece has endured as one of Sullivan's best-known songs,  and the setting is still performed today.  .

Piano,Vocal,Voice - Digital Download SKU: A0.1022882 Composed by Andy Fitzpatrick, Will Merriman. Arranged by Andy Fitzpatrick. Country,Jazz,Pop,Rock. Score. 6 pages. Aindriu Mac Giolla Padraig #3508711. Published by Aindriu Mac Giolla Padraig (A0.1022882). From the album Antoinette Plaza by Andy Fitzpatrick arranged for piano/vocal/guitar. With vocal melody, lyrics, piano accompaniment, chord names. .

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages. KVAMusic Edition #4717675. Published by KVAMusic Edition (A0.768507). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so Charpen­tier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent.  While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1430646 Composed by Marie Antoinette of France. Arranged by Martín Figueroa Poblete. Baroque,Classical,Romantic Period. Score. 6 pages. Martín Figueroa Poblete #1011156. Published by Martín Figueroa Poblete (A0.1430646). Romance (18th century song) C'est mon ami! for Flute and Harp, originally for Soprano (or Mezzo) and Piano.

Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Digital Download SKU: A0.1352995 Composed by Antoine Boësset. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #937821. Published by Early Music Scores (A0.1352995). Four voices (SATB)Composed by Antoine Boësset (c.1586-1643). From Airs de cour à 4 & 5 parties, IX, Paris, Robert Ballard, 1642. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.791697 Composed by Marc-Antoine Charpentier. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #5982099. Published by Early Music Scores (A0.791697). Voice and continuoComposed by Marc-Antoine Charpentier (1643-1704). From Mercure Galant, novembre 1678, entre les p. 347-348. Edited by Felipe Dias. 1 page.

Solo Oboe - Grade 2 - Digital Download SKU: FX.FX073286 Composed by Marc Antoine Charpentier. Arranged by Eric Vireton. Arrangement, Republished Master Piece. Classical, Educational. Solo Part. FLEX Editions - Digital Sheet Music #FX073286. Published by FLEX Editions - Digital Sheet Music (FX.FX073286). Instruments: 1 Solo Oboe; Difficuly Level: Grade 2; Duration: 1 mn 30 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Marc Antoine CHARPENTIER; Arranger: Eric VIRETON.

Mixed choir (SATB) SKU: M2.MOS-80144 Composed by Antoine de Longueval. Das Chorwerk 144. Möseler Verlag #MOS 80144. Published by Möseler Verlag (M2.MOS-80144). Es ist zweifellos ein paradoxer Umstand, dass ein Komponist, uber dessen Leben so gut wie nichts bekannt ist und von dem allein drei Kompositionen uberliefert sind, mit einem dieser Werke die Entwicklung einer ganzen musikalischen Gattung entscheidend gepragt hat. Hierbei handelt es sich um den franzosischen Hofmusiker Antoine de Longueval, dessen kurz nach 1500 in Italien entstandene Passionsvertonung bis in das fruhe 17. Jahrhundert hinein insbesondere im protestantischen Deutschland sich nicht nur grosser Beliebtheit erfreute und eine weite Verbreitung erfuhr, sondern auch hinsichtlich des neuen musikalischen Stils (motettisch durchkomponiert) wie der textlichen Fassung (Passionsharmonie) fur die gesamte Geschichte der Passionskomposition von grossem Einfluss sein sollte. Doch wahrend in Italien an eine Auffuhrung einer mehrstim- migen Passionsharmonie in liturgischem Rahmen nicht zu denken war, hatte im evangelischen Deutschland die durch die Reformation hervorgerufene neue theologische Orientierung auch Auswirkungen auf die Passionskomposition gehabt. Hier wurde Longuevals Werk - aus bislang unerklarlichen Grunden nun aber uberwiegend ohne Autorenangabe oder Jacob Obrecht zugeschrieben - in der Folge nicht nur in zahlreichen kirchenmusikalischen Handschriften vor allem Mitteldeutschlands uberliefert; sie stieg in der Geschichte der Passionsvertonung sogar zu einer Art Kompositionsmodell auf, das entweder unter leichten Veranderungen weiter tradiert wurde oder als Ausgangspunkt fur zahlreiche Neuschopfungen diente. Von der durchkomponierten Summa passionis Longuevals und der responsorialen Passion Johann Walters her lasst sich jedenfalls die gesamte Gattungsgeschichte der deutschen Passion des 16. und fruhen 17. Jahrhunderts verstehen. Vom geschichtlichen Ruhm dieser kompositorischen Neuerungen profitierte jedoch lange Zeit Jacob Obrecht, dem die Passionsvertonung erstmals in Georg Rhaus Wittenberger Sammeldruck Selectae harmoniae quatuor vocum de passione Domini von 1538 irrtumlich zugeschrieben wurde, und tatsachlich galt seine Ausgabe fortan als die fruheste und damit massgebliche Quelle. Doch sind drei handschriftliche ausserdeutsche Uberlieferungen unter dem Namen Longuevals in die Zeit vor Rhaus Druck zu datieren; ihnen verdanken wir genaue Auskunft uber die Entstehungsgeschichte dieses aussergewohnlichen Werkes. Entstanden ist Longuevals Komposition hochstwahrscheinlich wahrend seines knapp einjahrigen Aufenthaltes am Hof zu Ferrara im Jahre 1504, wo sie ahnlich wie Josquin Desprez' grosse dreiteilige Motette Miserere mei Deus ... den geistlichen Neigungen des Herzogs entsprochen haben durfte. ... Rainer Heyink.