Children's choir and recorders (SATB)

SKU: M2.MOS-69931-11

Szenische Kantate. Composed by Knut Gramss. Performance score. Möseler Verlag #MOS 69931-11. Published by Möseler Verlag (M2.MOS-69931-11).

ISBN 9790203755135.

Bedrohlich sieht es aus: die Stadt Toggenburg will die willkurlich hohen Steuern nicht bezahlen, das konigliche Heer ruckt heran, belagert die Stadt und soll das Geld mit Gewalt holen. Aber auch gemutlich geht es zu, denn die Toggenburger haben hohe Mauern und reichlich Vorrate. Und das heitere Ende vom Lied ... Aber das sei nicht verraten, sondern nur so viel: es bestehen fur die Kinder reichlich Moglichkeiten zu agieren, und der Phantasie in der szenischen Ausgestaltung sind nur jeweils durch die praktische Machbarkeit Grenzen gesetzt. Die Instrumente sind beliebig zu wahlen. Als einfachste Losung empfiehlt sich ein Blockflotenqurtett, aber auch Streicher oder Holzblaser und gemischte Besetzungen konnen mitwirken.

Choir, SSAA, 4-Part, A Cappella - Digital Download EARLY INTERMEDIATE By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Debbie Keretz. 20th Century,A Cappella,Barbershop,Blues,Jazz . 4 pages. Deborah L Keretz #846731. Published by Deborah L Keretz

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.946313

By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by James A. C. Glass. Jazz. 12 pages. James A. C. Glass #6352865. Published by James A. C. Glass (A0.946313).

All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 2:25.

Piano Solo - Level 3 - Digital Download

SKU: A0.553098

Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098).

Possibly the most beautiful piece of music ever.

This edition presents Debussy's masterpiece with as close to 100% clarity as possible:  no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece.  

In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.

If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions.  

Playing a piece of music is not the same as mastering it.  
Surviving a performance is not the same as playing with confidence.  
There is no joy in being vulnerable to embarrassing mistakes.  It is no way to live.  
You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.

Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are.  The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate.  If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music.  Debussy broke the boundaries of conventional piano notation.  That means contradictions and ambiguity, which must be addressed.

A note about fingering:  where and why it is or is not presented.  I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece.  My goal is to include information that the pianist needs, but does not already know.  For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution.  For example, m9-24, and m61-62, fall into this category.  Octaves can only practically be played with fingers 1 and 5.  I provide a lot of finger numbers, but that is not the same as  creating an edition that can be played without significant staff reading.  The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced.  Attempting to bridge more than one level is not my goal.

Piano Solo - Digital Download

SKU: A0.991361

Composed by Andrew Goffe. 20th Century,Children. Score. 1 pages. Andrew Goffe #3012427. Published by Andrew Goffe (A0.991361).

Playful beginner piece hat introduces flats

Choral Choir (SATB divisi) - Level 3 - Digital Download

SKU: A0.990423

Composed by Clifford W. King. 20th Century,A Cappella,Classical,Contemporary,Sacred. Octavo. 10 pages. Clifford W. King #596011. Published by Clifford W. King (A0.990423).

For ( sa t b ) choir a cappella by Clifford W. King mvt. iii of Missa Brevis Holy, Holy, Holy is the Lord God of Hosts. Heaven and earth are full of your glory. Hosanna in the highest. Blessed is he that comes in the name or the Lord. Simply stunning are words that describe this Sanctus arrangement. The piece includes beautifully meditative sections of rich homophonic textures and expressive contrapuntal sections. The harmonic progressions throughout the piece are exquisite and unexpected grace notes embellish the contrapuntal section beautifully. Glorious harmonies finish off this superb arrangement. This piece will be among the most musically inspiring pieces your choir will ever sing. Duration: 4'30 https://www.cliffordwking.com Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and Podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea.