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Green Day : Basket Case - Version originale (niveau facile/intermédiaire) Bass guitar
Téléchargez la tablature et la partition Basse Basket Case - Version origina…
5.99 € Bass guitar PDF Tomplay

Green Day : Basket Case (niveau intermédiaire) Drums
Téléchargez la partition Batterie Basket Case (niveau intermédiaire) …
5.99 € Drums PDF Tomplay

Green Day : Basket Case (niveau facile) Bass guitar
Téléchargez la tablature et la partition Basse Basket Case (niveau facile) d…
5.99 € Bass guitar PDF Tomplay

Green Day : Basket Case (niveau débutant) Bass guitar
Téléchargez la tablature et la partition Basse Basket Case (niveau dé…
5.99 € Bass guitar PDF Tomplay

Green Day : Basket Case (niveau facile) Drums
Téléchargez la partition Batterie Basket Case (niveau facile) de Green Day. …
5.99 € Drums PDF Tomplay

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download

SKU: A0.991619

Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619).

In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.

This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together.
   
In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome! 


"Conversations" A piece for Piano Four (4) Hands
2 Pianos, 4 hands

$6.00 5.44 € 2 Pianos, 4 hands PDF SheetMusicPlus

Woodwind Ensemble - Level 4 - Digital Download

SKU: A0.1401651

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651).

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only

$49.95 45.29 € PDF SheetMusicPlus

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.1402348

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348).

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Saxophone ensemble

$74.95 67.96 € Saxophone ensemble PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1235975

Composed by Ferris Tozer (1858-1943). Arranged by Andrew Lamb. 19th Century,Chamber. 36 pages. Andrew Lamb #831481. Published by Andrew Lamb (A0.1235975).

This arrangement introduces the spirited and vibrant sounds of the brass quintet to Ferris Tozer's renowned piece, The Village March.

Experience the power and brilliance of this captivating composition as it comes to life through the triumphant blend of two trumpets, French horn, trombone, and tuba. The resounding melodies and driving rhythms showcase the full range and versatility of the brass ensemble, adding a touch of grandeur to any performance.

The Village March encapsulates the essence of celebration and festivity, making it a perfect choice for a variety of occasions, including weddings, parades, and special events. Its infectious energy and catchy tunes will have audiences tapping their feet and feeling a sense of joyous anticipation.

Arranged for the brass quintet, this rendition ensures that each instrument's unique voice is showcased while maintaining the integrity of the original composition. The balance and precision of the ensemble allow the intricate melodies and dynamic interplay to shine through, captivating both musicians and listeners alike.

Ignite the atmosphere and infuse your event with the invigorating sounds of the brass quintet arrangement of Ferris Tozer's The Village March. Let the commanding brass tones and spirited performance leave a lasting impression and create a memorable experience for all.

The Village March (by Ferris Tozer, arr. for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba

$8.00 7.25 € Brass Quintet: 2 trumpets, horn, trombone, tuba PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet - Level 4 - Digital Download

SKU: A0.914246

Composed by Giuseppe Verdi. Arranged by Craig Buying. Classical,Concert,Romantic Period,Standards,World. 17 pages. No Squeak Publishing #4413115. Published by No Squeak Publishing (A0.914246).

Prestissimo, the third movement from Verdi's String Quartet in e minor is an excellent opener or closer for a program! The movement is approximately 3 minutes and is filled with excitement throughout. This arrangement is designed for mature players, as every part is demanding. That being said, this arrangement is very easily rehearsed and performed. Tutti sections of long eighth note passages from the original have been adapted for winds, so while challenging the parts are all playable and accessible. Other changes have been made throughout to allow for breathing. Early college students could perform this piece easily or even advanced high school students with proper guidance. This work is a real showcase for both the clarinets and bassoon!  Audiences really enjoy this one as every member is equally showcased.

Verdi: Prestissimo from String Quartet in e for Three Clarinets and Bassoon

$6.99 6.34 € PDF SheetMusicPlus






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