SKU: A0.1410677

After You've Gone is a timeless jazz standard, originally composed by Turner Layton with lyrics by Henry Creamer. It's a poignant reflection on love lost, featuring emotive vocals and a melancholic melody. The song captures the bittersweet essence of moving on after a relationship has ended, expressing themes of heartache and longing. With its memorable tune and evocative lyrics, After You've Gone has become a classic in the jazz repertoire, showcasing the enduring power of love and loss in music.
About this arrangement: 


Composed by: By Turner Layton, Henry Creamer
Arranged by: Thomas H. Graf for Brass Quintet
Instrumentation: 
Full Score and Parts as listed below:
Trumpet 1 in Bb
Trumpet 2 in Bb
Horn in F
Trombone
Tuba
Vocals (opt)
Horn in Eb
Baritone Horn
Euphonium
Bass in Eb
Bass in Bb

Any individual arrangement and substitute parts are available on request.

Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com

facebook: https://www.facebook.com/hitfactorymusic

SKU: A0.1410767

After You've Gone is a timeless jazz standard, originally composed by Turner Layton with lyrics by Henry Creamer. It's a poignant reflection on love lost, featuring emotive vocals and a melancholic melody. The song captures the bittersweet essence of moving on after a relationship has ended, expressing themes of heartache and longing. With its memorable tune and evocative lyrics, After You've Gone has become a classic in the jazz repertoire, showcasing the enduring power of love and loss in music.
About this arrangement: 


Composed by: By Turner Layton, Henry Creamer
Arranged by: Thomas H. Graf for Saxophone Quintet
Instrumentation: 
Full Score and Parts as listed below:
Part I Soprano Saxophone
Part I Alto Saxophone
Part II Alto Saxophone
Part III Alto Saxophone
Part III Tenor Saxophone
Part IV Tenor Saxophone
Part V Baritone Saxophone
Part V Bass Saxophone
Vocals (opt)

Any individual arrangement and substitute parts are available on request.

Call 49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com

facebook: https://www.facebook.com/hitfactorymusic

SKU: A0.1410765

After You've Gone is a timeless jazz standard, originally composed by Turner Layton with lyrics by Henry Creamer. It's a poignant reflection on love lost, featuring emotive vocals and a melancholic melody. The song captures the bittersweet essence of moving on after a relationship has ended, expressing themes of heartache and longing. With its memorable tune and evocative lyrics, After You've Gone has become a classic in the jazz repertoire, showcasing the enduring power of love and loss in music.
About this arrangement: 


Composed by: By Turner Layton, Henry Creamer
Arranged by: Thomas H. Graf for Clarinet Quintet
Instrumentation: 
Full Score and Parts as listed below:
Clarinet 1 in Bb
Clarinet 2 in Bb
Clarinet 3 in Bb
Alto Clarinet 3 in Eb
Clarinet 4 in Bb
Alto Clarinet 4 in Eb
Bass Clarinet in Bb
Contrabass Clarinet in Bb

Any individual arrangement and substitute parts are available on request.

Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com

facebook: https://www.facebook.com/hitfactorymusic

SKU: A0.1361865

Includes: Digital .pdf w/Full Score and Parts

Clashing Destinies was originally a work for digital media composed in March-April of 2023, later adapted for Full Orchestra/Symphonic Wind Ensemble. Clashing Destinies takes the listener through a spiral into insanity, starting with the constant thudding of the lows. Even as different parts add on, the thudding persists, representing one's inability to think clearly. There is a sharp dissonant line initially played by the glockenspiel that comes up time and time again, representing the internal panic that cuts through one's rational thoughts during their spiral into madness. Finally we hit the breaking point, a moment of silence followed by the screams of pain one experiences after reaching their breaking point. Soon after, a screaming trumpet takes the spotlight, any form of rational thought has now dithered away. Nothing is left but screams. After an intense battle of struggling to find a grasp on reality, there is a moment of calm. Things slow down as it is believed sanity is being regained, but still, there is that persistent thudding and sharp dissonance. Alas, the realization occurs, it is impossible to regain sanity. As the brass section overtakes the calm of the woodwinds, insanity fully takes over. The homestretch of this piece is pure chaos, every motif comes back. It is one huge reprise of all the feelings that have been experienced, except now they are all sounding much more rapidly, all just a small part of the chaos that is ensuing. Now there is nothing left to do except yell for help. There are three final screams, three final pleads for help. After screaming for help, it is realized... No one is there. Now there is nothing, left unresolved, all alone in the silence.

SKU: A0.1065619

THE CREEPY SPIDER (Piano Track)
Unison w/Actions & Screams!
**PERMISSION GRANTED TO MAKE 2 COPIES**

This is a great song for Halloween or any other time you need a break from the norm - a fun song to allow your students to let their hair down! Yes, it has screams in it, but they are short screams. Or not!

Excellent for any age elementary or a fun warm-up for younger middle school
Includes action cues in score
Jumps and screams - not a scary song . . . just creepy!
Chords included for additional instruments.

SKU: A0.1047345

Voices In My Head is meant to convey a feeling of being overwhelmed. I got the idea for the piece after having composed for 2 hours and finding my stomach screaming from hunger, my throat screaming from thirst, my head screaming from fatigue, and my mind screaming from unsatisfied work. It was a very overwhelming feeling at once and caused me to come up with the idea for the piece and subject for the fugue. The prelude is supposed to be setting up the fugue, as it depicts multiple voices getting along but just barely. The C major section shows the initial clarity from satisfying one of their needs, but it quickly returns to a struggle. The fugue slowly and slowly gets more intense, leading up until the end when the main character becomes completely overwhelmed.