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Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592897 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6413309. Published by David McKeown (A0.592897). Just a Closer Walk With Thee is a beautiful spiritual arranged here for Solo Descant Recorder and Piano.Little is known of the origins of Just a Closer Walk With Thee, other than it was sung in African-American churches in the nineteenth century. National religious conventions in the 1930s gave the hymn a wider audience. Many versions were recorded in the 1940s and Just a Closer Walk With Thee was quickly adopted as a standard by the New Orleans Jazz revival.
Just A Closer Walk With Thee, Gospel Hymn for Descant Recorder and Piano

$2.49 2.16 € PDF SheetMusicPlus

Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.593397 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6418751. Published by David McKeown (A0.593397). Wade in the Water is a beautiful spiritual arranged here for Solo Descant Recorder and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
Wade in the Water, Gospel Song for Descant Recorder and Piano

$2.49 2.16 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works  ALTARUS AIR-CD-9015
Carson Cooman: Nine Preludes for piano
Piano solo

$25.95 22.5 € Piano solo PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.1278797 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Traditional,Wedding. Score. 36 pages. Aaron Shows #870340. Published by Aaron Shows (A0.1278797). Originally composed as joyous postludes for a church service to keep the congregation engaged and in their seats, rather than rushing to coffee hour or Sunday brunch, these pieces will have them sticking around to listen. So many organists complain of practicing long hours on music to find out only heard by a handful of listeners (or none at all!) stayed behind to hear it, but with this music you will be rewarded for your practice (and the great secret is, these pieces don't require much practice at all!).Whether you are looking for a rousing closer in a church service, concert, or music program of any kind -- these will do the trick! Additionally, since they are all based on original tunes (rather than hymns or other familiar sacred music), they can be easily and effectively used in both sacred and secular settings.Contents: March for a Celebration Wildfire Toccata Impressions of Americana Mountains and Valleys Fanfare of Festive Colors Traditions Old and New
Stick Around and Listen! (Postludes, Vol I)
Organ

$40.00 34.69 € Organ PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 48 pages. Artaria Editions #1064234. Published by Artaria Editions (A0.1487260). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
25 Piano Preludes, Volume 2 (Preludes 13–25)
Piano solo

$46.00 39.89 € Piano solo PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 43 pages. Artaria Editions #1064233. Published by Artaria Editions (A0.1487259). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
25 Piano Preludes, Volume 1 (Preludes 1–12)
Piano solo

$46.00 39.89 € Piano solo PDF SheetMusicPlus






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