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Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.” However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.”This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.
Autumn Walk
Concert band

$75.00 64.96 € Concert band PDF SheetMusicPlus

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.
Egmont, Op. 84 - Overture - arr. for 8 cellos

$32.00 27.72 € PDF SheetMusicPlus

Instrumental Duet,Piano English Horn,Instrumental Duet,Oboe,Piano - Digital Download SKU: A0.988008 Composed by Nelly LiPuma. Concert,Contemporary,Graduation,Standards,World. Score and parts. 1 pages. Musica Nuova #2836821. Published by Musica Nuova (A0.988008). Sonata for english horn/oboe and pianoComposer: Nelly LiPumaYoutubelink: https://youtu.be/YBYmYi2ITrgThe Sonata for english horn/oboe and piano is in two movements: Lento-Veloce. The english horn plays in the first mov. which ends with an octave on the piano that attacca the Veloce and the english horn changes in oboe. The theme of the Veloce is characterized from a strong rhythmyc incisivity. It appears the first time in the oboe in E min. frigio while the piano plays different chords in sixteenths creating an always changing colors effects. Different motives appears now at the oboe then at the piano in a costant dialog. The frigian theme with its strong rythmicity is asserted in unisono from both instruments ending the piece with a sf ff on the last note!
Sonata for english horn/oboe and piano, by Nelly LiPuma
Oboe, Piano (duet)

$25.00 21.65 € Oboe, Piano (duet) PDF SheetMusicPlus

3, 4, 5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1004 Composed by Carol Lynn Mizell. Arranged by Carol Lynn Mizell. Christmas. With 3, 4, 5, 6 or 7 octaves handchimes, handbell tree or solo instrument, chorus or vocal solo, 2 octaves Petit & Fritsen handbells or tubular chimes, 2 octaves Silver Melody Bells, finger cymbals, and chime tree. Score. 12 pages. Chorister's Guild - Digital #CGB1004. Published by Chorister's Guild - Digital (C7.CGB1004). Come, You Thankful People, Come is a spirited setting of the familiar hymntune, ST. GEORGE'S WINDSOR, calling for mart, mart-lift, ring-touch and shake techniques, and making extensive use of mallets. The straightforward first stanza is in the usual and expected 4/4 meter, interspersed with an occasional 2/4 measure along the way. The second stanza moves into 3/4, with a recurring cross-accent pattern, producing the effect of playing in 6/8. After modulating from F to E-flat, the third and final stanza returns to the original meter, bringing the piece to a decisive and joyful ff conclusion!
Here We Come, Good Christian Friends - Handbell Score
Handbells

$4.95 4.29 € Handbells PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download SKU: A0.827137 Composed by Bob Marshall. Folk. Score and parts. 23 pages. Bob Marshall #1910645. Published by Bob Marshall (A0.827137). This bright, cheerful piece portrays a visit to Grandma and Grandpa’s house and eating some of Grandpa’s famous griddlecakes. The melody, reminiscent of early Americana, trades back and forth between the woodwinds and high brass while the low brass, woodwinds, and percussion keep that good ole country two-beat a goin’! Using only 6 notes, this work is good teaching tool for dynamic shading (it runs the gamut from p to ff) as well as keeping a good steady offbeat (2 & 4) going without turning the beat around. Key of Eb. Beginning Band Series Level 1.5-2.
Grandpa's Griddlecakes
Concert band

$18.00 15.59 € Concert band PDF SheetMusicPlus

Concert Band & optional SATB Choir - Digital Download SKU: IZ.CBW2210 Composed by Michael Francis Smith. Score and Parts. 58 pages. Imagine Music - Digital #CBW2210. Published by Imagine Music - Digital (IZ.CBW2210). 6.75 x 10.5 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
America, the Land of Liberty
Choral SATB

$60.00 51.97 € Choral SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1336013 By F.H.Murray. By John Francis Wade. Arranged by Amy Warmenhoven. Christian,Christmas,Classical,Holiday,Instructional. Score. 4 pages. Amy Warmenhoven #921839. Published by Amy Warmenhoven (A0.1336013). Early Intermediate/ Intermediate Piano Solo  F Major (with key signature) Melody is in right hand for verses; left hand for chorus Student plays accompaniment using I, IV, & V blocked chords in all 3 inversions Verse 1: F root, Bb 2nd inversion, C 1st inversion Verse 2: F 1st inversion, Bb root, C 2nd inversion Verse 3: F 2nd inversion, Bb 1st inversion, C root Verse 4:  combination 4/4 meter Latin lyrics with english translation dynamics (mp-ff, crescendo, decrescendo) finger numbers articulations
Adeste Fideles
Piano solo
F H
$1.99 1.72 € Piano solo PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727316 Composed by Carol Troutman Wiggins. Classical,Contemporary,Easter,Latin,Sacred. Octavo. 11 pages. Carol Troutman Wiggins #3451251. Published by Carol Troutman Wiggins (A0.727316). Dies Irae (Text from the Requiem Mass, Roman Missal) SAB/3-Part Mixed ChorusThis text taken from the requiem Mass in the Roman Missal is attributed to Thomas of Celano (13th century).The English translation is adapted from William Josiah Irons (1848).Excellent for advanced middle school, high school, college, or adult choirs.Majestic, driving accompaniment supports a detached melody alternating with legato passages                                       Dynamics range from p < ff with lots of crescendos & decrescendos.Latin to English textChords included for additional instrumentsPiano Rehearsal Track available on this site. .
Dies Irae (Text from the Requiem Mass, Roman Missal) [SAB]
Choral 3-part

$2.50 2.17 € Choral 3-part PDF SheetMusicPlus

Choir - Digital Download SKU: A0.1065528 Composed by Carol Troutman Wiggins. Contemporary,Sacred,Standards. Accompaniment. Duration 173. Carol Troutman Wiggins #3451265. Published by Carol Troutman Wiggins (A0.1065528). Dies Irae (Text from the Requiem Mass, Roman Missal) Piano Accompaniment TrackSAB/3-Part Mixed ChorusThis text taken from the requiem Mass in the Roman Missal is attributed to Thomas of Celano (13th century).The English translation is adapted from William Josiah Irons (1848).Excellent for advanced middle school, high school, college, or adult choirs.Majestic, driving accompaniment supports a detached melody alternating with legato passages                                       Dynamics range from p < ff with lots of crescendos & decrescendos.Latin to English textChords included for additional instruments.
Dies Irae (Text from the Requiem Mass, Roman Missal) [SSA] Piano Accompaniment Track
Piano Accompaniment

$5.99 5.19 € Piano Accompaniment PDF SheetMusicPlus


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