Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.990163 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 28 pages. Dolphin Don's Music School #6454121. Published by Dolphin Don's Music School (A0.990163). This fast Latin tune alternates between a 6/8 and 3/4 feel. It is arranged here for a Latin brass ensemble, with three trumpets, three trombones, and rhythm.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

Vocal Solo,Voice - Digital Download SKU: A0.1161723 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762099. Published by Early Music Scores (A0.1161723). Voice and continuo: composed by Anonymous. 17th century. From Oxford, MS Tenbury 1018, ff.44v; British Library, Add. MS 10337, ff.55v. Edited by Felipe Dias. 2 pages.

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.

Medium-High Voice,Vocal Solo - Digital Download SKU: A0.1306849 Composed by Hildegard Von Bingen. Arranged by Early Music Scores. Medieval,Sacred. 2 pages. Early Music Scores #896183. Published by Early Music Scores (A0.1306849). VoiceComposed by Hildegard von Bingen (1098-1179). From Riesencodex ff.474r-ff.474v. Edited by Felipe Dias. 2 pages.

Violin Solo - Level 2 - Digital Download SKU: A0.805469 Composed by Laura C. Quijada Ortíz. Instructional,Standards. 2 pages. Laura Quijada #6534063. Published by Laura Quijada (A0.805469). Technical piece that can be played as a solo piece, or even as a duo or trio of different string instruments using the other parts of the Moto Perpetuo in G Major also available. Details Key: G Major Only first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46

Piano Solo - Digital Download SKU: A0.917066 Composed by Elias Haddad. 20th Century,Contemporary. Score. 5 pages. Elias Haddad #3452051. Published by Elias Haddad (A0.917066). After the FF bass part towards the end. Use the sustain pedal heavily but keep in mind also the clarity of the notes.

Piano Solo - Level 3 - Digital Download SKU: A0.1217376 Composed by JohnWillard Utuk. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Score. 10 pages. JohnWillard Utuk #813922. Published by JohnWillard Utuk (A0.1217376). Do you or someone you know like the Heartstopper webcomic characters Nick Nelson and Charlie Spring? Here's a charming piano solo inspired by Alice Oseman's series that literally has music bringing them both together! Using each letter from their names, two distinct melody lines were created as a musical cryptogram (hidden words matched to musical pitches). Both themes are simple, and I wanted this piece to capture the optimism portrayed in the first two volumes of the graphic novel (and season 1 of the Netflix adaptation). Overall this solo has a light-hearted pop feel and a driving rhythm that can appeal to tweens, teens, and adults alike. Written in the key of C major, players get to explore varied musical elements and techniques: left hand syncopation, simple rhythms of mostly quarter, eighth, and half notes (crochet, quaver, and minums for our UK Friends!), triplets, alternating legato and staccato passages, tempo changes and different dynamic markings (p, mp, mf, f, ff). Musical phrases are 4-8 measures long, which makes recognizing patterns and form easy for students. With performance directions of hopeful, happily, and relaxed, interpretation beyond just notes and rhythms is an advanced concept teachers can explore with students. This solo piece can be played for fun, talent shows, recitals, sight reading, or (for fans of the series) entertainment during Heartstopper episode marathons! This piece celebrates the essence of youth, adventure, and hope of what's to come. Total performance time: 4:35. Key: C Major Musical Elements explored: syncopation, staccato, legato, simple rhythms, dotted quarter notes, triplets, sensitivity to musical interpretation, dynamic contrast, tempo changes, pedaling. Teachers can spark imagination with students by asking, What are the characters doing in this passage? How would they feel in this part? Who or what else can represent the two melodies? to experiment with musical storytelling. If you enjoyed this piece, leave a review below! You can also connect with me on IG @jwupiano or my YouTube Channel, JwuPiano.

Vocal Solo,Voice - Digital Download SKU: A0.1034447 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #639802. Published by Early Music Scores (A0.1034447). Voice and continuo: composed by John Wilson (1595-1674). From Oxford, Bodleian Library, MS. Mus. b.1, ff.59v-61r. Edited by Felipe Dias. 4 pages.

Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.

Bass - difficult - Digital Download SKU: S9.Q175 Sopra li tuoni a quattro. Composed by Giovanni Pierluigi da Palestrina. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q175. Published by Schott Music - Digital (S9.Q175). Vorliegende Ricercari gehören zu den zweifelhaften Werken Palestrinas, von denen kein Originaldruck oder Autograph bekannt ist. Haberl hat sie in den 32. Band der Gesamtausgabe der Werke Palestrinas (S. 80 ff.) aus einer im Nachlass Bainis befindlichen Abschrift G. Chitis aufgenommen. Sie sind streng motettisch komponiert, d.h. sie führen einzelne Themen (3-5) abschnittsweise durch. Die Reihenfolge der Ricercari entspricht der Ordnung der acht Kirchentonarten: Dorisch, Hypodorisch, Phrygisch, Hypophrigisch, Lydisch, Hypolydisch, Mixolydisch, Hypomixolydisch. Zur Aufführung eignen sich Streich- und Blasinstrumente (auch gemischt) ebensogut wie ein Tasteninstrument. Als Tempo ist ein mittleres Zeitmaß (Andante) zu wählen. Dem Brauche des 16. Jahrhunderts entsprechend sind Diminutionen (Koloraturen) möglich, vor allem, wenn eine mehrfache Besetzung der Einzelstimme vorliegt, bei der ein Instrument an der res facta (geschriebene Melodie) festhält.

3, 4, 5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1004 Composed by Carol Lynn Mizell. Arranged by Carol Lynn Mizell. Christmas. With 3, 4, 5, 6 or 7 octaves handchimes, handbell tree or solo instrument, chorus or vocal solo, 2 octaves Petit & Fritsen handbells or tubular chimes, 2 octaves Silver Melody Bells, finger cymbals, and chime tree. Score. 12 pages. Chorister's Guild - Digital #CGB1004. Published by Chorister's Guild - Digital (C7.CGB1004). Come, You Thankful People, Come is a spirited setting of the familiar hymntune, ST. GEORGE'S WINDSOR, calling for mart, mart-lift, ring-touch and shake techniques, and making extensive use of mallets. The straightforward first stanza is in the usual and expected 4/4 meter, interspersed with an occasional 2/4 measure along the way. The second stanza moves into 3/4, with a recurring cross-accent pattern, producing the effect of playing in 6/8. After modulating from F to E-flat, the third and final stanza returns to the original meter, bringing the piece to a decisive and joyful ff conclusion!

Vocal Solo,Voice - Digital Download SKU: A0.1096748 Composed by Matthew Locke. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #700743. Published by Early Music Scores (A0.1096748). Voice and continuo: composed by Matthew Locke (c.1621-1677). From British Library, Add. MS 17799, ff.14v-16v. Edited by Felipe Dias. 4 pages.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.540241 By Liliane Secco. By Liliane Secco. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and parts. 85 pages. Liliane Secco #150381. Published by Liliane Secco (A0.540241). This is a piece written in 3 movements for string quartet. Challenging work that includes a variety of techniques, meter changes, dynamics from pp to ff and requires a lot of precision. Written by a Brazilian female composer. 1st movement - Dawn Colours 2nd movement - The Scape 3rd movement - Freedom This work was inspired by the story of four wild horses trapped in some sort of stable. The first movement represents the dawn and all its colors formed by the first sun rays meeting small raindrops. The second movement is about the horse’s fury and their exhausting attempt to break through barriers and escape imprisonment. The third movement is the sound of freedom, when they run wild, free and aimlessly.

Organ - intermediate to advanced - Digital Download SKU: S9.Q6423 Die Marianische. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q6423. Published by Schott Music - Digital (S9.Q6423). As a counterpart to the Organ Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve Regina grows from the mystic source, followed by Berceuse pour Marie as a lullaby of the Christmas events. The third movement Mater Dolorosa falls back on the well-known Gregorian sequence Stabat Mater, taking Mary's pain at the cross as its central theme. The finale treats the Ave Maris Stella in a crescendo from pp to ff in a positive and solemn manner, in memory of Mary's assumption. It is advisable to use an organ with at least three manuals.Als Gegenstück zur Orgelsinfonie Nr.1 Pater Noster bietet die 2. Orgelsymphonie weichere und geheimnisvollere (eben marianische) Klangwelten an und skizziert Stationen aus Marias Lebensweg. Als Instrument empfiehlt sich eine Orgel mit mindestens drei Manualen.