Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.990163 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 28 pages. Dolphin Don's Music School #6454121. Published by Dolphin Don's Music School (A0.990163). This fast Latin tune alternates between a 6/8 and 3/4 feel. It is arranged here for a Latin brass ensemble, with three trumpets, three trombones, and rhythm.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.

Medium-High Voice,Vocal Solo - Digital Download SKU: A0.1306849 Composed by Hildegard Von Bingen. Arranged by Early Music Scores. Medieval,Sacred. 2 pages. Early Music Scores #896183. Published by Early Music Scores (A0.1306849). VoiceComposed by Hildegard von Bingen (1098-1179). From Riesencodex ff.474r-ff.474v. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1161723 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762099. Published by Early Music Scores (A0.1161723). Voice and continuo: composed by Anonymous. 17th century. From Oxford, MS Tenbury 1018, ff.44v; British Library, Add. MS 10337, ff.55v. Edited by Felipe Dias. 2 pages.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.727317 Composed by Carol Troutman Wiggins. Contemporary,Easter,Latin,Religious,Sacred. Octavo. 11 pages. Carol Troutman Wiggins #3451261. Published by Carol Troutman Wiggins (A0.727317). Dies Irae (Text from the Requiem Mass, Roman Missal)SSA/3-Part Mixed VoicesThis text taken from the requiem Mass in the Roman Missal is attributed to Thomas of Celano (13th century).The English translation is adapted from William Josiah Irons (1848).Excellent for advanced middle school, high school, college, or adult choirs.Majestic, driving accompaniment supports a detached melody alternating with legato passages                                       Dynamics range from p < ff with lots of crescendos & decrescendos.Some crossover voicings in alto partLatin to English textChords included for additional instruments.

Vocal Solo,Voice - Digital Download SKU: A0.1161731 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #762109. Published by Early Music Scores (A0.1161731). Voice and continuo: composed by Robert Johnson (c.1583-1633) From New York Public Library, MS Drexel 4257, ff.75r. Edited by Felipe Dias. 1 page.

Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.

3, 4, 5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1004 Composed by Carol Lynn Mizell. Arranged by Carol Lynn Mizell. Christmas. With 3, 4, 5, 6 or 7 octaves handchimes, handbell tree or solo instrument, chorus or vocal solo, 2 octaves Petit & Fritsen handbells or tubular chimes, 2 octaves Silver Melody Bells, finger cymbals, and chime tree. Score. 12 pages. Chorister's Guild - Digital #CGB1004. Published by Chorister's Guild - Digital (C7.CGB1004). Come, You Thankful People, Come is a spirited setting of the familiar hymntune, ST. GEORGE'S WINDSOR, calling for mart, mart-lift, ring-touch and shake techniques, and making extensive use of mallets. The straightforward first stanza is in the usual and expected 4/4 meter, interspersed with an occasional 2/4 measure along the way. The second stanza moves into 3/4, with a recurring cross-accent pattern, producing the effect of playing in 6/8. After modulating from F to E-flat, the third and final stanza returns to the original meter, bringing the piece to a decisive and joyful ff conclusion!

Violin Solo - Level 2 - Digital Download SKU: A0.805469 Composed by Laura C. Quijada Ortíz. Instructional,Standards. 2 pages. Laura Quijada #6534063. Published by Laura Quijada (A0.805469). Technical piece that can be played as a solo piece, or even as a duo or trio of different string instruments using the other parts of the Moto Perpetuo in G Major also available. Details Key: G Major Only first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46

Bass Voice,Vocal Solo - Digital Download SKU: A0.1169688 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #770050. Published by Early Music Scores (A0.1169688). Bass voice and continuo: composed by Robert Johnson (c.1583-1633). From British Library, Add. 29396, ff. 39v-40r. Edited by Felipe Dias. 2 pages.

Organ - Level 3 - Digital Download SKU: A0.1239749 Composed by J. A. Freylinghausen. Arranged by David Christensen. Advent,Sacred. Score. 5 pages. David Christensen #835140. Published by David Christensen (A0.1239749). This is an arrangement for organ solo of an Advent hymn tune found in a German songbook of 1704.  Part of the arrangement will require a solo Trumpet stop or another strong reed stop.  It varies in dynamics from mp to ff.

Vocal Solo,Voice - Digital Download SKU: A0.791845 Composed by Daniel Batchelar. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 3 pages. Early Music Scores #6614433. Published by Early Music Scores (A0.791845). Voice and continuoComposed by Daniel Batchelar (c.1572 - 1619). From British Library, Add. 24665, ff.48v-50. Baroque period. Edited by Felipe Dias. 3 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1096748 Composed by Matthew Locke. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #700743. Published by Early Music Scores (A0.1096748). Voice and continuo: composed by Matthew Locke (c.1621-1677). From British Library, Add. MS 17799, ff.14v-16v. Edited by Felipe Dias. 4 pages.