Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.990163 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 28 pages. Dolphin Don's Music School #6454121. Published by Dolphin Don's Music School (A0.990163). This fast Latin tune alternates between a 6/8 and 3/4 feel. It is arranged here for a Latin brass ensemble, with three trumpets, three trombones, and rhythm.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

Vocal Solo,Voice - Digital Download SKU: A0.1161723 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762099. Published by Early Music Scores (A0.1161723). Voice and continuo: composed by Anonymous. 17th century. From Oxford, MS Tenbury 1018, ff.44v; British Library, Add. MS 10337, ff.55v. Edited by Felipe Dias. 2 pages.

Medium-High Voice,Vocal Solo - Digital Download SKU: A0.1306849 Composed by Hildegard Von Bingen. Arranged by Early Music Scores. Medieval,Sacred. 2 pages. Early Music Scores #896183. Published by Early Music Scores (A0.1306849). VoiceComposed by Hildegard von Bingen (1098-1179). From Riesencodex ff.474r-ff.474v. Edited by Felipe Dias. 2 pages.

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.

Vocal Solo,Voice - Digital Download SKU: A0.1168629 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #768968. Published by Early Music Scores (A0.1168629). Voice and continuo: composed by Robert Johnson (c.1583-1633). From Cambridge, Fitzwilliam Museum, MU.MS 782, ff.99v-100r. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.998022 Composed by Henry Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #603729. Published by Early Music Scores (A0.998022). Voice and continuo: Composed by Henry Lawes (1596-1662). From British Library, Add. MS 53723, ff.73r. Edited by Felipe Dias. 2 pages.

3, 4, 5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1004 Composed by Carol Lynn Mizell. Arranged by Carol Lynn Mizell. Christmas. With 3, 4, 5, 6 or 7 octaves handchimes, handbell tree or solo instrument, chorus or vocal solo, 2 octaves Petit & Fritsen handbells or tubular chimes, 2 octaves Silver Melody Bells, finger cymbals, and chime tree. Score. 12 pages. Chorister's Guild - Digital #CGB1004. Published by Chorister's Guild - Digital (C7.CGB1004). Come, You Thankful People, Come is a spirited setting of the familiar hymntune, ST. GEORGE'S WINDSOR, calling for mart, mart-lift, ring-touch and shake techniques, and making extensive use of mallets. The straightforward first stanza is in the usual and expected 4/4 meter, interspersed with an occasional 2/4 measure along the way. The second stanza moves into 3/4, with a recurring cross-accent pattern, producing the effect of playing in 6/8. After modulating from F to E-flat, the third and final stanza returns to the original meter, bringing the piece to a decisive and joyful ff conclusion!

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.540241 By Liliane Secco. By Liliane Secco. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and parts. 85 pages. Liliane Secco #150381. Published by Liliane Secco (A0.540241). This is a piece written in 3 movements for string quartet. Challenging work that includes a variety of techniques, meter changes, dynamics from pp to ff and requires a lot of precision. Written by a Brazilian female composer. 1st movement - Dawn Colours 2nd movement - The Scape 3rd movement - Freedom This work was inspired by the story of four wild horses trapped in some sort of stable. The first movement represents the dawn and all its colors formed by the first sun rays meeting small raindrops. The second movement is about the horse’s fury and their exhausting attempt to break through barriers and escape imprisonment. The third movement is the sound of freedom, when they run wild, free and aimlessly.

Piano Solo - Level 3 - Digital Download SKU: A0.1238246 Composed by Emma Drew. Classical,Contemporary. Score. 2 pages. Emma Louise Drew #833720. Published by Emma Louise Drew (A0.1238246). This piece will find its home with those who love the excitement of the rapid movement of fingers over the keys. It is through-composed, with a brief return to the initial theme to bring the piece to its completion. The technical aspects of the piece include legato quaver and semiquaver patterns; accented staccato quavers with octave jumps; melodic, harmonic, and triad accompaniments; the crossing over of hands; and a broad dynamic range, from p to ff. Watch for the three changes to the time signature and the movement of the right hand into the bass in bar 26, then back to the treble in bar 28.

Bass - difficult - Digital Download SKU: S9.Q175 Sopra li tuoni a quattro. Composed by Giovanni Pierluigi da Palestrina. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q175. Published by Schott Music - Digital (S9.Q175). Vorliegende Ricercari gehören zu den zweifelhaften Werken Palestrinas, von denen kein Originaldruck oder Autograph bekannt ist. Haberl hat sie in den 32. Band der Gesamtausgabe der Werke Palestrinas (S. 80 ff.) aus einer im Nachlass Bainis befindlichen Abschrift G. Chitis aufgenommen. Sie sind streng motettisch komponiert, d.h. sie führen einzelne Themen (3-5) abschnittsweise durch. Die Reihenfolge der Ricercari entspricht der Ordnung der acht Kirchentonarten: Dorisch, Hypodorisch, Phrygisch, Hypophrigisch, Lydisch, Hypolydisch, Mixolydisch, Hypomixolydisch. Zur Aufführung eignen sich Streich- und Blasinstrumente (auch gemischt) ebensogut wie ein Tasteninstrument. Als Tempo ist ein mittleres Zeitmaß (Andante) zu wählen. Dem Brauche des 16. Jahrhunderts entsprechend sind Diminutionen (Koloraturen) möglich, vor allem, wenn eine mehrfache Besetzung der Einzelstimme vorliegt, bei der ein Instrument an der res facta (geschriebene Melodie) festhält.

High Voice,Vocal Solo - Digital Download SKU: A0.1202336 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #801021. Published by Early Music Scores (A0.1202336). Voice and continuoVau. Et egressus est ad filia Sion. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q.43, ff.5r-6v. Edited by Felipe Dias. 4 pages.

Full Orchestra - Level 4 - Digital Download SKU: A0.1466478 Composed by Claudio Porstmann. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. 37 pages. Claudio Porstmann #1045061. Published by Claudio Porstmann (A0.1466478). This is a dramatic piece for full orchestra with a large dynamic range from ppp to ff, written with the characteristics of a movie soundtrack cue in mind.The steady beat and underlying rhythmic patterns reinforce the steady tick tock of the seconds passing and adds a little tension to the cue. To make thisticking even more obvious, one part of the string section play a steady beat col legno, further enhancing the ticking idea to the listener.

Vocal Solo,Voice - Digital Download SKU: A0.1169120 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #769470. Published by Early Music Scores (A0.1169120). Voice and continuo: composed by Robert Johnson (c.1583-1633). New York Public Library, MS Drexel 4041, ff. 107v-108r. Edited by Felipe Dias. 2 pages.

Solo Guitar - Level 5 - Digital Download SKU: A0.1305481 Composed by Edward Collard (fl. 1595-1599). Arranged by Nick Shinbin. Renaissance. Individual part. 3 pages. Nick Shinbin #894927. Published by Nick Shinbin (A0.1305481). This Pavan was written by Edward Collard and appears in the Holmes Lute Book Volume 3 (MS Dd.9.33, ff. 65v-66r), and has been arranged for classical guitar.