Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.990163 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 28 pages. Dolphin Don's Music School #6454121. Published by Dolphin Don's Music School (A0.990163). This fast Latin tune alternates between a 6/8 and 3/4 feel. It is arranged here for a Latin brass ensemble, with three trumpets, three trombones, and rhythm.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

Medium-High Voice,Vocal Solo - Digital Download SKU: A0.1306849 Composed by Hildegard Von Bingen. Arranged by Early Music Scores. Medieval,Sacred. 2 pages. Early Music Scores #896183. Published by Early Music Scores (A0.1306849). VoiceComposed by Hildegard von Bingen (1098-1179). From Riesencodex ff.474r-ff.474v. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1161723 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762099. Published by Early Music Scores (A0.1161723). Voice and continuo: composed by Anonymous. 17th century. From Oxford, MS Tenbury 1018, ff.44v; British Library, Add. MS 10337, ff.55v. Edited by Felipe Dias. 2 pages.

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.

Vocal Solo,Voice - Digital Download SKU: A0.1169120 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #769470. Published by Early Music Scores (A0.1169120). Voice and continuo: composed by Robert Johnson (c.1583-1633). New York Public Library, MS Drexel 4041, ff. 107v-108r. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1050043 Composed by Audefroi le Bastart. Arranged by Early Music Scores. Medieval. 1 pages. Early Music Scores #654445. Published by Early Music Scores (A0.1050043). Composed by Audefroi le Bastart. From Chansonnier de Noailles, MS Français 12615, ff.55v-56r. Edited by Felipe Dias. 1 page.

Vocal Solo,Voice - Digital Download SKU: A0.791736 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 6 pages. Early Music Scores #6029251. Published by Early Music Scores (A0.791736). Voice and continuoNothing on earth remains to show so right. Composed by Anonymous (17th century). From Oxford, Bodleian Libray, MS Tenbury 1019, ff.5v-6. Baroque period. Edited by Felipe Dias. 6 pages.

High Voice,Vocal Solo - Digital Download SKU: A0.1161730 Composed by John Hilton. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #762108. Published by Early Music Scores (A0.1161730). Voice and continuo: composed by John Hilton (c.1599-1657). From British Library, MS Egerton 2013, ff.13v. Edited by Felipe Dias. 1 page.

Choir,Piano - Digital Download SKU: A0.1065459 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 197. Carol Troutman Wiggins #3379689. Published by Carol Troutman Wiggins (A0.1065459). SUPER SLEUTH  (Instrumental Performance Accompaniment Track)Unison for Men's Women's or Mixed Voices w/Boomwhackers, Xylophone, or Wood/Temple BlocksGreat for upper elementary or middle school studentsMen's, Women's, or Mixed Voices The boys love this song! Add Boomwhackers, Xylophone, or Wood Blocks Other Orff instruments may be substitutedSyncopated rhythms Excellent opportunity to teach dynamics from ppp to ffComfortable singing range Driving accompanimentChords included.

Vocal Solo,Voice - Digital Download SKU: A0.1034447 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #639802. Published by Early Music Scores (A0.1034447). Voice and continuo: composed by John Wilson (1595-1674). From Oxford, Bodleian Library, MS. Mus. b.1, ff.59v-61r. Edited by Felipe Dias. 4 pages.

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.727251 Composed by Carol Troutman Wiggins. Children,Comedy,Contemporary,Instructional. Octavo. 6 pages. Carol Troutman Wiggins #3379685. Published by Carol Troutman Wiggins (A0.727251). SUPER SLEUTH Unison for Men's Women's or Mixed Voices w/Boomwhackers, Xylophone, or Wood/Temple BlocksGreat for upper elementary or middle school studentsMen's, Women's, or Mixed Voices The boys love this song! Add Boomwhackers, Xylophone, or Wood Blocks Other Orff instruments may be substitutedSyncopated rhythms Excellent opportunity to teach dynamics from ppp to ffComfortable singing range Driving accompanimentChords includedPiano Accompaniment Track & Performance Track availble on this site

Bass - difficult - Digital Download SKU: S9.Q175 Sopra li tuoni a quattro. Composed by Giovanni Pierluigi da Palestrina. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q175. Published by Schott Music - Digital (S9.Q175). Vorliegende Ricercari gehören zu den zweifelhaften Werken Palestrinas, von denen kein Originaldruck oder Autograph bekannt ist. Haberl hat sie in den 32. Band der Gesamtausgabe der Werke Palestrinas (S. 80 ff.) aus einer im Nachlass Bainis befindlichen Abschrift G. Chitis aufgenommen. Sie sind streng motettisch komponiert, d.h. sie führen einzelne Themen (3-5) abschnittsweise durch. Die Reihenfolge der Ricercari entspricht der Ordnung der acht Kirchentonarten: Dorisch, Hypodorisch, Phrygisch, Hypophrigisch, Lydisch, Hypolydisch, Mixolydisch, Hypomixolydisch. Zur Aufführung eignen sich Streich- und Blasinstrumente (auch gemischt) ebensogut wie ein Tasteninstrument. Als Tempo ist ein mittleres Zeitmaß (Andante) zu wählen. Dem Brauche des 16. Jahrhunderts entsprechend sind Diminutionen (Koloraturen) möglich, vor allem, wenn eine mehrfache Besetzung der Einzelstimme vorliegt, bei der ein Instrument an der res facta (geschriebene Melodie) festhält.

Piano Solo - Level 3 - Digital Download SKU: A0.1217376 Composed by JohnWillard Utuk. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Score. 10 pages. JohnWillard Utuk #813922. Published by JohnWillard Utuk (A0.1217376). Do you or someone you know like the Heartstopper webcomic characters Nick Nelson and Charlie Spring? Here's a charming piano solo inspired by Alice Oseman's series that literally has music bringing them both together! Using each letter from their names, two distinct melody lines were created as a musical cryptogram (hidden words matched to musical pitches). Both themes are simple, and I wanted this piece to capture the optimism portrayed in the first two volumes of the graphic novel (and season 1 of the Netflix adaptation). Overall this solo has a light-hearted pop feel and a driving rhythm that can appeal to tweens, teens, and adults alike. Written in the key of C major, players get to explore varied musical elements and techniques: left hand syncopation, simple rhythms of mostly quarter, eighth, and half notes (crochet, quaver, and minums for our UK Friends!), triplets, alternating legato and staccato passages, tempo changes and different dynamic markings (p, mp, mf, f, ff). Musical phrases are 4-8 measures long, which makes recognizing patterns and form easy for students. With performance directions of hopeful, happily, and relaxed, interpretation beyond just notes and rhythms is an advanced concept teachers can explore with students. This solo piece can be played for fun, talent shows, recitals, sight reading, or (for fans of the series) entertainment during Heartstopper episode marathons! This piece celebrates the essence of youth, adventure, and hope of what's to come. Total performance time: 4:35. Key: C Major Musical Elements explored: syncopation, staccato, legato, simple rhythms, dotted quarter notes, triplets, sensitivity to musical interpretation, dynamic contrast, tempo changes, pedaling. Teachers can spark imagination with students by asking, What are the characters doing in this passage? How would they feel in this part? Who or what else can represent the two melodies? to experiment with musical storytelling. If you enjoyed this piece, leave a review below! You can also connect with me on IG @jwupiano or my YouTube Channel, JwuPiano.

Concert Band - Level 3 - Digital Download SKU: A0.750969 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 35 pages. BJE Music #5774663. Published by BJE Music (A0.750969). This original composition features a Piccolo and Flute in a lively little polka. It begins simply with a Piccolo and Flute playing the main theme with Drums accompaniment. Then follows a series of repeated sections adding counter melodies and additional instruments on each repeat - Most of the Brass playing only in the 4th time through. A Tag section follows reprising the original theme with Piccolo and Flute and light woodwind accompaniment. This gradually dies away with a sudden ff on the last two quavers by the whole band… There is also an optional Piano Accompaniment part included (Not shown on the score). There is a version for Orchestra as well.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 2:30 mins.