Vocal Solo,Voice - Digital Download SKU: A0.1110668 Composed by Angelo Notari. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #712969. Published by Early Music Scores (A0.1110668). Composed by Angelo Notari (1566-1663), after Giulio Caccini (British Library Add. MS 31440, ff.43v-44). Edited by Felipe Dias. 3 pages. Transposed to G minor.

High Voice,Vocal Solo - Digital Download SKU: A0.986800 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #592469. Published by Early Music Scores (A0.986800). Voice and continuo: John Wilson (1595-1674). From New York Public Library, MS Drexel 4257 , ff.67v-68r. Edited by Felipe Dias. 2 pages.

Easy Piano - Level 1 - Digital Download SKU: A0.1446064 Composed by Ludwig van Beethoven. Arranged by Amy Warmenhoven. Children,Classical,Historic,Instructional,Standards. Score. 5 pages. Amy B. Warmenhoven #1025886. Published by Amy B. Warmenhoven (A0.1446064). Opening to the first movement.Elementary Piano Solo: 2/2 meter Allegro con Brio (half note = 216) No key signature Some finger numbers and pitch names Accidentals: flat symbol only  Dynamics:  p, f, ff, crescendo  Articulations:  legato, staccato, accents Five octave tessitura (This famous piece is an excellent motivator for students ready to learn ledger lines!) Includes a range of 5-finger positions, some 6ths and octave jumps, and 2-over-1 finger crossovers (noted by circled number)

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.955719 Composed by Henry Purcell. Arranged by Phil Thrift. Baroque,Contemporary. 19 pages. Phil Thrift #5314603. Published by Phil Thrift (A0.955719). H.P. Takes Five is a cheeky take on Henry Purcell’s famous trumpet tune. Instead of 4/4 time, it’s in 5/4, with a few 7/4 measures thrown in for a bit more fun! Purcell (1659–95) wrote much incidental music for plays and so-called semi-operas performed in London’s theaters, and often included a trumpet tune as a signal for the next act. A trumpet was the only instrument that could be heard above the noise of the audience! This is the wind quintet adaptation of the arrangement originally written for brass quintet. The lead moves around the parts and so this is indicated to make sure that the appropriate line remains prominent. Pay attention to all the tenuto and staccato marks. Make sure that the ff in measures 26, 42, 52, and at the end are as loud as you can get them without overblowing. The fluid lines of the lyrical middle section will test your powers of concentration.

High Voice,Vocal Solo - Digital Download SKU: A0.1202340 Composed by Giovanni Francesco Marcorelli. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #801026. Published by Early Music Scores (A0.1202340). Voice and continuoQuomodo obscuratum est aurum. Composed by Giovanni Francesco Marcorelli (1610-1651). From Museo internazionale e biblioteca della musica di Bologna, MS Q.43, ff.61r-64r. Edited by Felipe Dias. 4 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1161729 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762106. Published by Early Music Scores (A0.1161729). Voice and continuo: composed by Anonymous, 17th century. From New York Public Library, MS Drexel 4257, ff.38r-38v. Edited by Felipe Dias. 2 pages.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.727317 Composed by Carol Troutman Wiggins. Contemporary,Easter,Latin,Religious,Sacred. Octavo. 11 pages. Carol Troutman Wiggins #3451261. Published by Carol Troutman Wiggins (A0.727317). Dies Irae (Text from the Requiem Mass, Roman Missal)SSA/3-Part Mixed VoicesThis text taken from the requiem Mass in the Roman Missal is attributed to Thomas of Celano (13th century).The English translation is adapted from William Josiah Irons (1848).Excellent for advanced middle school, high school, college, or adult choirs.Majestic, driving accompaniment supports a detached melody alternating with legato passages                                       Dynamics range from p < ff with lots of crescendos & decrescendos.Some crossover voicings in alto partLatin to English textChords included for additional instruments.

Vocal Solo,Voice - Digital Download SKU: A0.998023 Composed by Henry Lawes. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #603730. Published by Early Music Scores (A0.998023). Voice and continuo: composed by Henry Lawes (1596-1662). From British Library, Add. MS 53723, ff.54r. Edited by Felipe Dias. 2 pages.

Piano Solo - Digital Download SKU: A0.917066 Composed by Elias Haddad. 20th Century,Contemporary. Score. 5 pages. Elias Haddad #3452051. Published by Elias Haddad (A0.917066). After the FF bass part towards the end. Use the sustain pedal heavily but keep in mind also the clarity of the notes.

Solo Guitar - Level 5 - Digital Download SKU: A0.1305481 Composed by Edward Collard (fl. 1595-1599). Arranged by Nick Shinbin. Renaissance. Individual part. 3 pages. Nick Shinbin #894927. Published by Nick Shinbin (A0.1305481). This Pavan was written by Edward Collard and appears in the Holmes Lute Book Volume 3 (MS Dd.9.33, ff. 65v-66r), and has been arranged for classical guitar.

String Orchestra - Level 2 - Digital Download SKU: A0.1319136 Composed by Josef Gabriel Rheinberger. Arranged by Leonard Ingrande. Chamber,Classical,Contest,Early Music,Festival. 14 pages. Ingrande Music Production #907768. Published by Ingrande Music Production (A0.1319136). This piece featrures phrasing with combined legato and detache techniques.  Furthermore, the slow tempo and long phrases require a thoughtful and well-controlled use of the bow. Imitative voices traded between instruments invite each section to articulate their entrances thus keeping the forward motion alive.  Finally, although the dynamics remain mostly in the reange of p or mp--mf or f, there are moments of ff and pp (especially at the end) with crescendo and diminuendo markings throughout which are crucial for bringing out the expressive and poetic nature of the piece.

Vocal Solo,Voice - Digital Download SKU: A0.1185290 Composed by Marc'Antonio Pasqualini. Arranged by Early Music Scores. Baroque. 5 pages. Early Music Scores #784980. Published by Early Music Scores (A0.1185290). Voice and continuo: composed by Marc'Antonio Pasqualini (c.1614 - 1691). From Biblioteca Apostolica Vaticana, Barb. lat. 4223, no. 18, ff. 47r–50r. Edited by Felipe Dias. 5 pages.

Bass Voice,Vocal Solo - Digital Download SKU: A0.1169688 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #770050. Published by Early Music Scores (A0.1169688). Bass voice and continuo: composed by Robert Johnson (c.1583-1633). From British Library, Add. 29396, ff. 39v-40r. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1163670 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #764015. Published by Early Music Scores (A0.1163670). Voice and continuo: composed by Robert Johnson (c.1583-1633). From Oxford, Bodleian Library, MS. Don. c.57, ff.40v. Edited by Felipe Dias. 1 page.

Vocal Solo,Voice - Digital Download SKU: A0.1161731 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #762109. Published by Early Music Scores (A0.1161731). Voice and continuo: composed by Robert Johnson (c.1583-1633) From New York Public Library, MS Drexel 4257, ff.75r. Edited by Felipe Dias. 1 page.