Harp - Level 4 - Digital Download SKU: A0.968715 Composed by Cedric Elmer. 20th Century,Concert,Instructional,Standards. Score. 3 pages. Cedric N Elmer #4840025. Published by Cedric N Elmer (A0.968715). This is an exercise on scale passages mixed with arpeggios. There are chords and a glissando. Dynamics range from pp to ff with a number of crescendo and decrescendo sections. Pedal changes are marked with boxed letters. Enjoy!ASCAP.

Vocal Solo,Voice - Digital Download SKU: A0.791736 Composed by Anonymous. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 6 pages. Early Music Scores #6029251. Published by Early Music Scores (A0.791736). Voice and continuoNothing on earth remains to show so right. Composed by Anonymous (17th century). From Oxford, Bodleian Libray, MS Tenbury 1019, ff.5v-6. Baroque period. Edited by Felipe Dias. 6 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1168766 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 3 pages. Early Music Scores #769106. Published by Early Music Scores (A0.1168766). Voice and continuo: composed by Robert Johnson (c.1583-1633). From New York Public Library, MS Drexel 4041, ff. 25r-26v. Edited by Felipe Dias. 3 pages.

Full Orchestra - Level 4 - Digital Download SKU: A0.1466478 Composed by Claudio Porstmann. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. 37 pages. Claudio Porstmann #1045061. Published by Claudio Porstmann (A0.1466478). This is a dramatic piece for full orchestra with a large dynamic range from ppp to ff, written with the characteristics of a movie soundtrack cue in mind.The steady beat and underlying rhythmic patterns reinforce the steady tick tock of the seconds passing and adds a little tension to the cue. To make thisticking even more obvious, one part of the string section play a steady beat col legno, further enhancing the ticking idea to the listener.

Vocal Solo,Voice - Digital Download SKU: A0.1184434 Composed by Marc'Antonio Pasqualini. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #784163. Published by Early Music Scores (A0.1184434). Voice and continuo: composed by Marc'Antonio Pasqualini (c.1614 - 1691). Kungliga Biblioteket, Stockholm, S 231, Ariette nove Romane, ff.1r-2r. Edited by Felipe Dias. 3 pages.

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.805466 Composed by Laura C. Quijada Ortíz. Instructional,Standards. Individual part. 2 pages. Laura Quijada #6534057. Published by Laura Quijada (A0.805466). Technical piece that can be played as a solo piece, or even as a duo or trio of different string instruments using the other parts of the Moto Perpetuo in G Major also available. Details Key: G Major Only first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46

High Voice,Vocal Solo - Digital Download SKU: A0.1302570 Composed by Anonymous. Arranged by Early Music Scores. Medieval. 2 pages. Early Music Scores #892191. Published by Early Music Scores (A0.1302570). VoiceChanson de toile composed by Anonymous. From Manuscrit de Saint-Germaines-des-Prés, F-Pn fr. 20050, ff. 66r. Edited by Felipe Dias. 2 pages.

High Voice,Vocal Solo - Digital Download SKU: A0.1290142 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 10 pages. Early Music Scores #880856. Published by Early Music Scores (A0.1290142). Voice and continuoComposed by Anonymous. From Museo Internazionale e Biblioteca della Musica di Bologna, MS Q47, ff.87v-94v. Edited by Felipe Dias. 10 pages.

Piano,Vocal,Voice - Digital Download SKU: A0.1074118 Composed by Richard Edwards. Arranged by Early Music Scores. Baroque. Score. 3 pages. Early Music Scores #678389. Published by Early Music Scores (A0.1074118). Voice and continuo: composed by Richard Edwards (1523-1566). From British Library, Add. MS. 30513, ff.108v; The Paradise of Dainty Devices, 1576. Edited by Felipe Dias. 3 pages.

Mixed choir (SSAATTBB) SKU: M2.MOS-81238 Composed by Roelof Temmingh. Moseler Chorreihe. Choral score. Möseler Verlag #MOS 81238. Published by Möseler Verlag (M2.MOS-81238). ISBN 9790203797388.Wow! Es gibt Stucke, die den Horer so in ihren Bann zu ziehen vermogen, dass man nur noch staunen kann. Diesen uberwaltigenden Effekt hat ein englischer Komponist einmal als enlarging the west door and letting the air in beschrieben: ein flachiger Breitwand-Klang in Cinemascop-Format gewissermassen, in dem man sich so richtig baden kann. Nur Fliegen ist schoner. Roelof Temminghs Motette In lumine tuo hat sicherlich die dazugehorigen Qualitaten. Sie erfordert einen voluminosen Klangkorper, der die massive Achtstimmigkeit ausfullen und die dynamischen Kontraste vom ppp zum ff wirkungsvoll realisieren kann. Genau genommen ist das Stuck gar nicht mal so aufregend. Es ist uberwiegend tonal gehalten, angereichert mit viel Chromatik, Distanzharmonik und einigen archaischen Reizklangen. Alles in allem setzt Temmingh seine Mittel ausgesprochen raffiniert und effektvoll ein. Ein dankbares Stuck. Guido Krawinkel, Cantate, 3/2000.

Piano Solo - Level 3 - Digital Download SKU: A0.1336013 By F.H.Murray. By John Francis Wade. Arranged by Amy Warmenhoven. Christian,Christmas,Classical,Holiday,Instructional. Score. 4 pages. Amy Warmenhoven #921839. Published by Amy Warmenhoven (A0.1336013). Early Intermediate/ Intermediate Piano Solo  F Major (with key signature) Melody is in right hand for verses; left hand for chorus Student plays accompaniment using I, IV, & V blocked chords in all 3 inversions Verse 1: F root, Bb 2nd inversion, C 1st inversion Verse 2: F 1st inversion, Bb root, C 2nd inversion Verse 3: F 2nd inversion, Bb 1st inversion, C root Verse 4:  combination 4/4 meter Latin lyrics with english translation dynamics (mp-ff, crescendo, decrescendo) finger numbers articulations

Piano Solo - Level 3 - Digital Download SKU: A0.1238246 Composed by Emma Drew. Classical,Contemporary. Score. 2 pages. Emma Louise Drew #833720. Published by Emma Louise Drew (A0.1238246). This piece will find its home with those who love the excitement of the rapid movement of fingers over the keys. It is through-composed, with a brief return to the initial theme to bring the piece to its completion. The technical aspects of the piece include legato quaver and semiquaver patterns; accented staccato quavers with octave jumps; melodic, harmonic, and triad accompaniments; the crossing over of hands; and a broad dynamic range, from p to ff. Watch for the three changes to the time signature and the movement of the right hand into the bass in bar 26, then back to the treble in bar 28.

Vocal Solo,Voice - Digital Download SKU: A0.1163670 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #764015. Published by Early Music Scores (A0.1163670). Voice and continuo: composed by Robert Johnson (c.1583-1633). From Oxford, Bodleian Library, MS. Don. c.57, ff.40v. Edited by Felipe Dias. 1 page.

Cello Solo - Level 2 - Digital Download SKU: A0.805467 Composed by Laura C. Quijada Ortíz. Instructional,Standards. Individual part. 2 pages. Laura Quijada #6534055. Published by Laura Quijada (A0.805467). Technical piece that can be played as a solo piece, or even as a duo or trio of different string instruments using the other parts of the Moto Perpetuo in G Major also available. Details Key: G Major Only first position All four strings involved Dynamic range from pp to ff, crescendos and diminuendos Measures: 53 Approximate duration: 01:46

High Voice,Vocal Solo - Digital Download SKU: A0.1161728 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762104. Published by Early Music Scores (A0.1161728). Voice and continuo: composed by Anonymous, 17th century. From Oxford, MS Don.c.57, ff.35v. Edited by Felipe Dias. 2 pages.